Cossette Isabelle, Monaco Pierpaolo, Aliverti Andrea, Macklem Peter T
Music Education Area, Department of Music, Schulich School of Music, McGill University, Montreal, Quebec, Canada.
Respir Physiol Neurobiol. 2008 Feb 1;160(2):187-95. doi: 10.1016/j.resp.2007.09.009. Epub 2007 Sep 21.
Respiratory parameters and sound were recorded during professional flute playing in order to assess what physiological processes were associated with the control of sound production that results in 'breath support' which in turn is associated with high quality playing. Four standing young professional flautists played flute excerpts with and without breath support. Recordings included optoelectronic plethysmographic measurements of chest wall volume (V(cw)) and its compartments, surface electromyography of the scalene, lateral abdominal, rectus abdominus, parasternal and sternocleidomastoid muscles, mouth pressure, and sound. Flow was estimated from differentiating V(cw) during playing. Results showed that flute support entails antagonistic contraction of non-diaphragmatic inspiratory muscles that tends to hold the rib cage at higher lung volume. This relieves the expiratory muscles from the task of producing the right mouth pressure, especially at the end of the phrases, so they can contribute more to the finer control of mouth pressure modulations required for high quality playing.
在专业长笛演奏过程中记录呼吸参数和声音,以评估哪些生理过程与导致“呼吸支持”的发声控制相关,而呼吸支持又与高质量演奏相关。四名站立的年轻专业长笛演奏者分别在有和没有呼吸支持的情况下吹奏长笛片段。记录内容包括胸壁容积(V(cw))及其各部分的光电体积描记测量、斜角肌、侧腹肌、腹直肌、胸骨旁肌和胸锁乳突肌的表面肌电图、口腔压力和声音。演奏过程中的气流通过对V(cw)进行微分来估算。结果表明,长笛演奏中的呼吸支持需要非膈肌吸气肌的拮抗收缩,这倾向于使胸廓保持在较高的肺容积。这减轻了呼气肌产生正确口腔压力的任务,尤其是在乐句结尾时,这样它们就能为高质量演奏所需的口腔压力调制的更精细控制做出更大贡献。