Bidet-Caulet Aurelie, Bertrand Olivier
Helen Wills Neuroscience Institute, University of California Berkeley, CA, USA.
Front Neurosci. 2009 Sep 15;3(2):182-91. doi: 10.3389/neuro.01.025.2009. eCollection 2009 Sep.
In our complex acoustic environment, we are confronted with a mixture of sounds produced by several simultaneous sources. However, we rarely perceive these sounds as incomprehensible noise. Our brain uses perceptual organization processes to independently follow the emission of each sound source over time. If the acoustic properties exploited in these processes are well-established, the neurophysiological mechanisms involved in auditory scene analysis remain unclear and have recently raised more interest. Here, we review the studies investigating these mechanisms using electrophysiological recordings from the cochlear nucleus to the auditory cortex, in animals and humans. Their findings reveal that basic mechanisms such as frequency selectivity, forward suppression and multi-second habituation shape the automatic brain responses to sounds in a way that can account for several important characteristics of perceptual organization of both simultaneous and successive sounds. One challenging question remains unresolved: how are the resulting activity patterns integrated to yield the corresponding conscious percepts?
在我们复杂的声学环境中,我们会面临多个同时发声源产生的声音混合。然而,我们很少将这些声音视为无法理解的噪音。我们的大脑利用感知组织过程来随时间独立追踪每个声源的发声。如果这些过程中所利用的声学特性已得到充分确立,那么参与听觉场景分析的神经生理机制仍不清楚,且最近引发了更多关注。在这里,我们回顾了在动物和人类中使用从耳蜗核到听觉皮层的电生理记录来研究这些机制的研究。他们的发现表明,诸如频率选择性、前向抑制和多秒习惯化等基本机制以一种能够解释同时和相继声音感知组织的几个重要特征的方式塑造了大脑对声音的自动反应。一个具有挑战性的问题仍未解决:产生的活动模式是如何整合以产生相应的意识感知的?