Wagemans Johan, van Doorn Andrea J, Koenderink Jan J
University of Leuven, Laboratory of Experimental Psychology, Tiensestraat 102-box 3711, 3000 Leuven, The Netherlands; e-mail:
Iperception. 2011;2(1):77-111. doi: 10.1068/i0420. Epub 2011 Apr 4.
We propose a novel method to probe the depth structure of the pictorial space evoked by paintings. The method involves an exocentric pointing paradigm that allows one to find the slope of the geodesic connection between any pair of points in pictorial space. Since the locations of the points in the picture plane are known, this immediately yields the depth difference between the points. A set of depth differences between all pairs of points from an N-point (N > 2) configuration then yields the configuration in depth up to an arbitrary depth offset. Since an N-point configuration implies N(N-1) (ordered) pairs, the number of observations typically far exceeds the number of inferred depths. This yields a powerful check on the geometrical consistency of the results. We report that the remaining inconsistencies are fully accounted for by the spread encountered in repeated observations. This implies that the concept of 'pictorial space' indeed has an empirical significance. The method is analyzed and empirically verified in considerable detail. We report large quantitative interobserver differences, though the results of all observers agree modulo a certain affine transformation that describes the basic cue ambiguities. This is expected on the basis of a formal analysis of monocular optical structure. The method will prove useful in a variety of potential applications.
我们提出了一种新颖的方法来探究绘画所唤起的图像空间的深度结构。该方法涉及一种外心指向范式,它能让人们找到图像空间中任意两点之间测地线连接的斜率。由于图像平面中各点的位置是已知的,这能直接得出两点之间的深度差。然后,对于来自N点(N>2)构型的所有点对之间的一组深度差,能得出直至任意深度偏移的深度构型。由于N点构型意味着N(N - 1)(有序)对,观测次数通常远超过推断深度的数量。这对结果的几何一致性进行了有力检验。我们报告称,剩余的不一致性完全可由重复观测中遇到的离散度来解释。这意味着“图像空间”的概念确实具有实证意义。我们对该方法进行了相当详细的分析和实证验证。我们报告了观察者之间存在较大的定量差异,不过所有观察者的结果在描述基本线索模糊性的某个仿射变换模下是一致的。基于对单眼光学结构的形式分析,这是可以预期的。该方法在各种潜在应用中将被证明是有用的。