Genolier Swiss Medical Network Neurocenter, Clinique Valmont, Montreux, Switzerland; Center for Brain and Nervous Disorders (Neurocentre), Genolier Swiss Medical Network, Genolier, Switzerland.
Prog Brain Res. 2013;203:185-99. doi: 10.1016/B978-0-444-62730-8.00007-4.
Jean-Martin Charcot (1825-1893), the "father of neurology" in France and much beyond, was also the man who established academic psychiatry in Paris, differentiating it from clinical alienism. In his teaching, he used artistic representations from previous centuries to illustrate the historical developments of hysteria, mainly with the help of his pupil Paul Richer. Charcot liked to draw portraits (in particular, sketches of colleagues during boring faculty meetings and students' examinations), caricatures of himself and others, church sculptures, landscapes, soldiers, etc. He also used this skill in his clinical and scientific work; he drew histological or anatomic specimens, as well as patients' features and demeanor. His most daring artistic experiments were drawing under the influence of hashish. Charcot's tastes in art were conservative; he displayed no affinity for the avant-gardes of his time, including impressionism, or for contemporary musicians, such as César Franck or Hector Berlioz. Léon Daudet, son of Charcot's former friend and famous writer Alphonse Daudet, described Charcot's home as a pseudo-gothic kitsch accumulation of heteroclite pieces of furniture and materials. However, as Henry Meige wrote a few years after his mentor's death, Charcot the artist remains "inseparable from Charcot the physician."
让-马丁·沙可(Jean-Martin Charcot,1825 年-1893 年),法国乃至世界“神经科学之父”,同时也是巴黎学术精神病学的奠基人,他将精神病学从临床精神病学中分离出来。在教学中,他运用了几个世纪以来的艺术表现形式来阐述歇斯底里症的历史发展,主要是在他的学生保罗·里歇(Paul Richer)的帮助下。沙可喜欢画肖像(特别是在无聊的教员会议和学生考试期间画同事的素描)、自画像和他人的漫画、教堂雕塑、风景、士兵等。他还将这一技能应用于他的临床和科学工作中;他绘制了组织学或解剖标本,以及患者的特征和举止。他最具冒险精神的艺术实验是在吸食大麻的影响下作画。沙可的艺术品味较为保守;他对当时的前卫艺术流派(包括印象派)或同时代的音乐家(如塞萨尔·弗兰克或埃克托·柏辽兹)没有任何兴趣。沙可的前朋友和著名作家阿尔封斯·都德(Alphonse Daudet)的儿子莱昂·都德(Léon Daudet)将沙可的家描述为一个伪哥特式的低俗艺术的积累,里面摆满了五花八门的家具和材料。然而,正如亨利·梅热(Henry Meige)在导师去世几年后所写的那样,艺术家沙可“与医生沙可密不可分”。