Vargas-Castro Luis E, Sánchez Natalie V, Barrantes Gilbert
Escuela de Biología, Universidad de Costa Rica, 2060, San Pedro, San José, Costa Rica,
Anim Cogn. 2015 Sep;18(5):1113-23. doi: 10.1007/s10071-015-0883-z. Epub 2015 Jun 27.
Songbirds have been traditionally classified into close-ended or open-ended learning species according to the length of the sensitive period during which birds are able to memorize new vocalizations. Closed-ended learners are generally not capable of changing their song after the first year of life, while open-ended learners show song plasticity as adults. A few Turdus species have been suggested to be open-ended learners, but no long-term study has been conducted to investigate their song plasticity over time. We analyzed the songs of clay-colored thrushes, T. grayi, over four successive breeding seasons to assess song plasticity in their syllable repertoires within and between breeding seasons. A total of 16,262 syllables were classified through visual inspection of spectrograms and multidimensional scaling analysis based on spectrogram correlations. On average, 563 ± 153 (SD) syllables per male per breeding season were analyzed. Male repertoire size was 9-20 syllable types. Males were capable of modifying their syllable repertoire between the initial and final periods of the breeding season. Song plasticity within breeding seasons may be associated with imitation between neighboring males, suggesting song learning in males that were ≥2 years old. This short-term plasticity is not enough, however, to explain the high proportion of change (mean = 65 % syllable types) in repertoire composition between breeding seasons in adult males. Song plasticity resulting from annual changes in repertoire composition could be explained by open-ended learning, but another mechanism, extended memory and re-expression, could also explain long-term plasticity. Experimental studies controlling the acoustic environment are needed to determine which mechanism is responsible for such a high level of song plasticity.
传统上,鸣禽根据其能够记忆新发声的敏感期长度被分为封闭式学习物种或开放式学习物种。封闭式学习者通常在一岁以后就不能改变它们的歌声,而开放式学习者成年后仍表现出歌声可塑性。有几种鸫属物种被认为是开放式学习者,但尚未进行长期研究来调查它们随时间的歌声可塑性。我们分析了灰胸鸫(Turdus grayi)在连续四个繁殖季节的歌声,以评估其在繁殖季节内和繁殖季节之间音节库中的歌声可塑性。通过对声谱图的目视检查和基于声谱图相关性的多维缩放分析,共分类了16262个音节。每个繁殖季节,平均每只雄性分析563±153(标准差)个音节。雄性的音节库大小为9至20种音节类型。雄性能够在繁殖季节的初期和末期之间改变其音节库。繁殖季节内的歌声可塑性可能与相邻雄性之间的模仿有关,这表明≥2岁的雄性存在歌声学习行为。然而,这种短期可塑性不足以解释成年雄性在繁殖季节之间音节库组成变化的高比例(平均=65%的音节类型)。由音节库组成的年度变化导致的歌声可塑性可以用开放式学习来解释,但另一种机制,即扩展记忆和重新表达,也可以解释长期可塑性。需要进行控制声学环境的实验研究,以确定哪种机制导致了如此高水平的歌声可塑性。