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创造一种新的死亡方式并使其令人信服。

Inventing a new death and making it believable.

作者信息

Lock Margaret

机构信息

a McGill University , Montreal , Canada.

出版信息

Anthropol Med. 2002 Aug;9(2):97-115. doi: 10.1080/1364847022000029705.

Abstract

This article shows how the concept of 'brain death' was created in order that the routinization of solid organ transplantation could take place. The concept permitted individuals diagnosed as brain-dead but whose respiration and heartbeat continued through technological assistance to be counted as no longer alive, and therefore organs could be retrieved from them without legal reprisals. It is shown how, because the condition of brain-dead bodies is ambiguous--they are at once dead and alive--discursive practices must be put to work in both medicine and law to justify their status as dead. Despite an apparent consensus within the medical world about the concept of brain death, disagreement remains among various countries about how best to make the diagnosis. Moreover, professionals working with brain-dead patients draw on a Cartesian split between mind and body in order to allow themselves to count such patients as dead; this maneuver is justified because the minds of brain-dead patients no longer function, although their bodies clearly remain very much alive. Without the legal fiction of brain death the transplant world would be severely hampered.

摘要

本文展示了“脑死亡”概念是如何被创造出来,以便实体器官移植能够常规化进行。这一概念允许那些被诊断为脑死亡但通过技术辅助仍维持呼吸和心跳的个体被视为不再存活,因此可以从他们身上获取器官而无需承担法律责任。文中指出,由于脑死亡者的状态模棱两可——他们既已死亡又尚存活——医学和法律领域都必须运用话语实践来证明其死亡状态的合理性。尽管医学界对脑死亡概念表面上达成了共识,但各国对于如何进行最佳诊断仍存在分歧。此外,照料脑死亡患者的专业人员利用笛卡尔式的身心二分法,以便将此类患者视为已死亡;这种做法是合理的,因为脑死亡患者的大脑不再运作,尽管他们的身体显然仍非常活跃。若没有脑死亡这一法律虚构概念,移植领域将会受到严重阻碍。

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