Ladino Lady Diana, Rizvi Syed, Téllez-Zenteno Jose Francisco
Division of Neurology, Department of Medicine, University of Saskatchewan, Royal University Hospital, 103 Hospital Drive, Saskatoon, SK, Canada; Neurology Section, Hospital Pablo Tobón Uribe, University of Antioquia, Medellín, Calle 67 Número 53-108, Colombia.
Division of Neurology, Department of Medicine, University of Saskatchewan, Royal University Hospital, 103 Hospital Drive, Saskatoon, SK, Canada.
Epilepsy Behav. 2016 Apr;57(Pt B):255-64. doi: 10.1016/j.yebeh.2015.12.033. Epub 2016 Feb 10.
The historical allure of epilepsy transcends academic circles and serves as fascinating critique of the state of the times-its values, judgments, mythos, and people. Immortalized and laid bare in artistic renderings of epilepsy are societal truths, at times both disparately grandiose and grotesque. During the middle ages and Renaissance, the European discourse on epilepsy assumed religious fervor. Epilepsy was considered a demonic machination and its cure an act of divine intercession. A similar theme is found in the artistic depiction of epilepsy from the Inca and Aztec civilizations of that time. After the 19th century drew to a close, the ascendency of empiricism coincided with waning creative interest in epilepsy, with few paintings or pieces to capture insightful perspectives on the illness. In this paper, we review the relationship between art and epilepsy and present two contemporary paintings that convey current western perceptions. This article is part of a Special Issue entitled "Epilepsy, Art, and Creativity".
癫痫的历史魅力超越了学术圈子,成为对时代状况——其价值观、评判、神话及人物——的引人入胜的批判。癫痫在艺术作品中得以不朽并被揭露的是社会真相,有时既极其宏大又怪诞。在中世纪和文艺复兴时期,欧洲关于癫痫的论述带有宗教狂热。癫痫被视为恶魔的阴谋,其治愈被视为神圣的祈祷行为。在当时印加和阿兹特克文明对癫痫的艺术描绘中也发现了类似主题。19世纪末之后,经验主义的兴起与对癫痫的创作兴趣减弱同时出现,很少有绘画或作品能捕捉到对这种疾病有深刻见解的观点。在本文中,我们回顾艺术与癫痫之间的关系,并展示两幅传达当代西方认知的当代绘画。本文是名为“癫痫、艺术与创造力”的特刊的一部分。