Day Faithe
a University of Michigan , Ann Arbor , Michigan , USA.
J Lesbian Stud. 2018 Jul 3;22(3):267-281. doi: 10.1080/10894160.2018.1383800. Epub 2017 Nov 27.
Drawing on a legacy of Black television and film production, Black web series remediate earlier media forms in order to usher in a twenty-first-century revival of indie Black cultural production. Specifically, video sharing and social media platforms operate as a sphere in which content creators and users are afforded unique opportunities to engage with video content and each other on a variety of levels. Focusing on the YouTube media sphere, one can also observe the myriad ways in which the performance of race, gender, and sexuality influences the types of discourse that circulate within these sites. In watching and analyzing Black queer web series on YouTube, I examine how the performance of gender and sexuality by Black queer women within and outside of web series are policed and protected by both community insiders and outsiders. Utilizing an ethnographic framework, which includes a critical discourse analysis of the YouTube comments for the series Between Women, as well as a textual analysis of series content, this project draws conclusions about the role that the politics of pleasure, performance, and the public sphere play in the recognition and/or refusal of queer sexuality within Black communities.
借鉴黑人电视和电影制作的传统,黑人网络剧对早期媒体形式进行了改编,以迎来21世纪独立黑人文化制作的复兴。具体而言,视频分享和社交媒体平台充当了一个领域,在这个领域中,内容创作者和用户有独特的机会在各个层面上与视频内容以及彼此进行互动。聚焦于YouTube媒体领域,人们还可以观察到种族、性别和性取向的表现以无数方式影响着这些网站上传播的话语类型。在观看和分析YouTube上的黑人同性恋网络剧时,我研究了黑人同性恋女性在网络剧内外的性别和性取向表现是如何受到社区内部人和外部人的监管与保护的。本项目采用人种志框架,其中包括对《女性之间》系列的YouTube评论进行批判性话语分析,以及对系列内容进行文本分析,得出了关于愉悦政治、表演和公共领域在黑人社区对同性恋性取向的认可和/或拒绝中所起作用的结论。