Nielsen Siw G, Johansen Guro G, Jørgensen Harald
Norwegian Academy of Music, Oslo, Norway.
Front Psychol. 2018 Mar 15;9:339. doi: 10.3389/fpsyg.2018.00339. eCollection 2018.
In higher music education (HME), the notion of "private teaching, private learning" has a long tradition, where the learning part rests on the student's individual practicing between instrumental lessons. However, recent research suggests that collaborative learning among peers is beneficial in several aspects, such as sense of belonging, motivation and self-efficacy. This is consistent with the concept of vicarious learning. In this study, we conducted a survey among bachelor music students in church music, performance or music education programs enrolled in a music academy ( = 96), where parts of the questionnaire addressed peer learning and peer's influence on the students's instrumental practicing, and the degree of satisfaction with their practicing. These issues were seen in relation to gender, musical genre and study program. Overall, the students reported engaging in peer learning related to their instrumental practicing, to various degrees. This involved discussing practicing matters with peers, and practicing together with peers. However, student's reports of their views on peer learning, show that they perceive it more beneficial than the amount of time reported doing it would indicate. No significant gender differences were found, but students within improvised music/jazz engaged the most in peer learning, and church music students the least. Neither the degree of engaging in peer learning nor reported influence from peers correlated significantly with the degree of satisfaction. We discuss whether a general dissatisfaction is caused by being in a competitive learning environment combined with a privatized culture for learning. Finally, we suggest that collaborative forums for instrumental practicing within HME institutions can function as constructive and supportive arenas to enhance students learning and inner motivation.
在高等音乐教育(HME)中,“个别授课、个别学习”的理念由来已久,其中学习部分依赖于学生在器乐课程之间的个人练习。然而,最近的研究表明,同伴之间的合作学习在归属感、动机和自我效能感等几个方面是有益的。这与替代性学习的概念是一致的。在本研究中,我们对一所音乐学院中参加教堂音乐、表演或音乐教育项目的本科音乐专业学生(n = 96)进行了一项调查,问卷的部分内容涉及同伴学习以及同伴对学生器乐练习的影响,以及他们对练习的满意度。这些问题与性别、音乐流派和学习项目相关。总体而言,学生们报告称在不同程度上参与了与器乐练习相关的同伴学习。这包括与同伴讨论练习事宜,以及与同伴一起练习。然而,学生们对同伴学习的看法报告显示,他们认为同伴学习比报告的参与时间所显示的更有益。未发现显著的性别差异,但即兴音乐/爵士乐专业的学生参与同伴学习的程度最高,而教堂音乐专业的学生参与程度最低。参与同伴学习的程度以及报告的同伴影响程度与满意度之间均无显著相关性。我们讨论了在竞争激烈的学习环境与私有化学习文化相结合的情况下,是否会导致普遍的不满情绪。最后,我们建议高等音乐教育机构内的器乐练习协作论坛可以作为建设性和支持性的场所,以增强学生的学习和内在动力。