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生物美学:人类及其他动物审美认知的演变

Bioaesthetics: The evolution of aesthetic cognition in humans and other animals.

作者信息

Westphal-Fitch Gesche, Fitch W Tecumseh

机构信息

Department of Neurology, Medical University of Vienna, Vienna, Austria; Department of Cognitive Biology, University of Vienna, Vienna, Austria.

Department of Cognitive Biology, University of Vienna, Vienna, Austria.

出版信息

Prog Brain Res. 2018;237:3-24. doi: 10.1016/bs.pbr.2018.03.003. Epub 2018 Apr 24.

Abstract

Bioaesthetics, an exciting new branch of aesthetics, examines the evolutionary origins of aesthetics in humans and other animals. We suggest that aesthetics is a multicomponent faculty and discuss certain traits that are shared with other species. We discuss Richard Prum's theory that aesthetic signal and audience are joined in a coevolutionary loop: one by necessity shaping the other. We discuss its implications for aesthetic phenomena as diverse as sexual selection, domestication, and cuisine. In addition to biologically evolved aesthetics, we emphasize that humans possess culturally coevolved aesthetics, which helps explain the unusual variability of aesthetic domains across human cultures. We analyze social and cognitive factors that may have driven this development, particularly exploring the role of the artist, who we argue must mentally adopt the position of the audience while producing an artwork, instantiating a third coevolutionary loop on the individual level.

摘要

生物美学是美学领域一个令人兴奋的新分支,它研究人类和其他动物美学的进化起源。我们认为美学是一种多成分的能力,并讨论了与其他物种共有的某些特征。我们讨论了理查德·普鲁姆的理论,即审美信号和受众处于一个共同进化的循环中:一方必然会塑造另一方。我们讨论了这一理论对性选择、驯化和烹饪等各种审美现象的影响。除了生物进化的美学,我们强调人类拥有文化共同进化的美学,这有助于解释审美领域在人类文化中的异常变异性。我们分析了可能推动这一发展的社会和认知因素,特别探讨了艺术家的角色,我们认为艺术家在创作艺术品时必须在心理上采取受众的立场,在个体层面上形成第三个共同进化的循环。

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