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[歌曲中疯狂的其他声音:西班牙朋克亚文化中疯狂的用途及意义(1981 - 2010)]

[Other voices of madness in song: uses and meanings of madness in the Spanish punk subculture (1981-2010)].

作者信息

Reyes Fabián A Pavez, Parra Erika Saura, Campos Pedro Marset

机构信息

The International School of Doctoral Studies, University of Murcia. Edif. Rector Soler, 3º. 30100. Campus de Espinardo, Murcia. Spain.

Independent Researcher. Murcia  Spain.

出版信息

Cien Saude Colet. 2021 Jun;26(6):2195-2206. doi: 10.1590/1413-81232021266.12052019. Epub 2019 Aug 1.

Abstract

The study of depictions of mental disorders in music are scarce, despite the fact that the reproduction of stigmatizing representations can interfere in the search for treatment. The scope of this article is to describe the extent and nature of the descriptions of madness in Spanish punk music (1981-2010) as a basis for comparisons with other countries and musical genres. For the content analysis, 3,653 song lyrics were reviewed looking for the words 'crazy,' 'madness,' or other related terms. A total of 174 works were identified and subsequently analyzed by two decoders. The code book contained 28 codes representing cuatro categories: uses, sense and meanings of 'madness'; main topic of the song; the word 'crazy' in set phrases; and the crazy individual. The use of madness as unpredictability or loss of control was prevalent. In set phrases, links between madness and loss of control were recurrent too. The word 'crazy' was predominant as an attribute or quality. Comparisons with previous findings in the literature suggest that the senses of madness as 'pathology,' 'loss of control,' and 'opposition to reason' were more universal. The identity contents of Spanish punk were the backcloth for the content identified, such that the theme of madness emerges as a sign of identity and a manifestation of otherness.

摘要

尽管带有污名化色彩的描述的再现可能会干扰治疗的寻求,但关于音乐中精神障碍描绘的研究却很匮乏。本文的范围是描述西班牙朋克音乐(1981 - 2010年)中对疯狂的描述的程度和性质,作为与其他国家和音乐流派进行比较的基础。对于内容分析,审查了3653首歌曲歌词,寻找“疯狂”“疯癫”或其他相关词汇。总共确定了174部作品,随后由两位译码员进行分析。编码手册包含28个代码,代表四个类别:“疯癫”的用途、意义和含义;歌曲的主要主题;固定短语中的“疯狂”一词;以及疯狂的个体。将疯癫用作不可预测性或失控的情况很普遍。在固定短语中,疯癫与失控之间的联系也经常出现。“疯狂”一词作为一种属性或特质占主导地位。与文献中先前的研究结果进行比较表明,将疯癫理解为“病理学”“失控”和“对理性的反对”更为普遍。西班牙朋克的身份内容是所确定内容的背景,因此疯癫主题作为一种身份标志和他者性的表现而出现。

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