Stockman Tehya, Zhu Shengwei, Kumar Abhishek, Wang Lingzhe, Patel Sameer, Weaver James, Spede Mark, Milton Donald K, Hertzberg Jean, Toohey Darin, Vance Marina, Srebric Jelena, Miller Shelly L
Department of Civil, Environmental, and Architectural Engineering, University of Colorado Boulder, Boulder, Colorado 80309, United States.
Department of Mechanical Engineering, University of Maryland, College Park, Maryland 20742, United States.
ACS Environ Au. 2021 Aug 27;1(1):71-84. doi: 10.1021/acsenvironau.1c00007. eCollection 2021 Nov 17.
Outbreaks from choir performances, such as the Skagit Valley Choir, showed that singing brings potential risk of COVID-19 infection. There is less known about the risks of airborne infection from other musical performances, such as playing wind instruments or performing theater. In addition, it is important to understand methods that can be used to reduce infection risk. In this study, we used a variety of methods, including flow visualization, aerosol and CO measurements, and computational fluid dynamics (CFD) modeling to understand the different components that can lead to transmission risk from musical performance and risk mitigation. This study was possible because of a partnership across academic departments and institutions and collaboration with the National Federation of State High School Associations and the College Band Directors National Association. The interdisciplinary team enabled us to understand the various aspects of aerosol transmission risk from musical performance and to quickly implement strategies in music classrooms during the COVID-19 pandemic. We found that plumes from musical performance were highly directional, unsteady and varied considerably in time and space. Aerosol number concentration measured at the bell of the clarinet was comparable to that of singing. Face and bell masks attenuated plume velocities and lengths and decreased aerosol concentrations measured in front of the masks. CFD modeling showed differences between indoor and outdoor environments and that the lowest risk of airborne COVID-19 infection occurred at less than 30 min of exposure indoors and less than 60 min outdoors.
像斯卡吉特谷合唱团那样的唱诗班表演引发的疫情表明,唱歌会带来新冠病毒感染的潜在风险。对于其他音乐表演(如吹奏管乐器或进行戏剧表演)导致空气传播感染的风险,人们了解得较少。此外,了解可用于降低感染风险的方法很重要。在本研究中,我们使用了多种方法,包括流动可视化、气溶胶和一氧化碳测量以及计算流体动力学(CFD)建模,以了解可能导致音乐表演传播风险的不同因素以及风险缓解措施。由于跨学术部门和机构的合作以及与全国州高中协会联合会和大学乐队指挥全国协会的协作,本研究得以开展。这个跨学科团队使我们能够了解音乐表演气溶胶传播风险的各个方面,并在新冠疫情期间迅速在音乐教室实施相关策略。我们发现,音乐表演产生的羽流具有高度方向性、不稳定,且在时间和空间上变化很大。在单簧管吹口处测得的气溶胶数浓度与唱歌时相当。面部和吹口口罩降低了羽流速度和长度,并降低了在口罩前方测得的气溶胶浓度。CFD建模显示了室内和室外环境的差异,并且室内暴露少于30分钟和室外暴露少于60分钟时,空气传播新冠病毒感染的风险最低。