Baruch G
Brandon Centre, London.
Int J Psychoanal. 1997 Jun;78 ( Pt 3):549-59.
The author presents clinical material from the analysis of a patient who made sense of his chaotic life by creating seamless narratives in the analytic situation. Initially, his experience of meaning was derived from the form of his narrative. He repeatedly constructed the 'perfect' narrative, which he related to as a real object and as an object of reparation. There was a significant change in his narrative style and his experience of meaningfulness when he was able to struggle with the contradictions, ambiguities and inconsistencies in his life. The author argues that the patient's earlier narrative style, which he calls the manic narrative, is an aspect of the manic defence, whereas his later approach, when he relinquished the manic narrative in favour of a genuine experience of meaningfulness, was a move towards accepting depressive anxiety and acknowledging the state of his objects.
作者展示了对一名患者分析的临床资料,该患者通过在分析情境中创造连贯的叙事来理解自己混乱的生活。最初,他的意义体验源于其叙事的形式。他反复构建“完美”叙事,将其视为真实对象和修复对象。当他能够应对生活中的矛盾、模糊性和不一致性时,他的叙事风格和意义体验发生了显著变化。作者认为,患者早期的叙事风格,他称之为躁狂叙事,是躁狂防御的一个方面,而他后来的方法,即放弃躁狂叙事以获得真正的意义体验,是朝着接受抑郁焦虑并承认其客体状态迈进的一步。