Kroodsma DE, Sánchez J, Stemple DW, Goodwin E, Vielliard JM
Department of Biology, University of Massachusetts at Amherst
Anim Behav. 1999 Apr;57(4):855-863. doi: 10.1006/anbe.1998.1036.
To what extent has the style of song development among songbirds coevolved with other life history strategies? Among Cistothorus wrens in North America, it seems that sedentary or site-faithful habits of marsh wrens, C. palustris, favour song imitation, but seminomadic habits of sedge wrens, C. platensis, favour song improvisation, whereby each male generates a large but unique song repertoire. In this study, we tested whether more sedentary populations of sedge wrens in the Neotropics would imitate songs. At our primary study site near Cartago, Costa Rica, breeding birds were colour-banded during 1995 and 1996, and follow-up surveys revealed that the birds remained at this site the year round. Extensive tape recording and analysis of songs showed that males had large song repertoires (200-300+ songs), and that many songs were shared among neighbouring males. In addition, males only 27 km distant, at La Pastora, used different songs. Furthermore, matched countersinging, in which two males answer each other with identical song types, was recorded near Brasilia, in Brazil. The sharing of songs among permanent neighbours, microgeographical variation in song, and matched countersinging can be achieved only through song imitation, thus revealing a striking difference in the style of song development among different populations of the sedge wren. In the Neotropics, having predictable neighbours throughout life appears to have favoured song imitation, so that individuals can interact using a common, learned code typical of the local population; among more mobile populations in North America, however, individuals improvise large repertoires of species-typical songs, thereby enabling singing males to communicate with any individual, no matter what the population of origin. Strategies of song development must correlate with life history features, and further surveys are needed to make sense of the great diversity of singing behaviours among songbirds. Copyright 1999 The Association for the Study of Animal Behaviour.
鸣禽的歌曲发展风格在多大程度上与其他生活史策略共同进化?在北美洲的卡氏苇鹪鹩属(Cistothorus)鹪鹩中,似乎沼泽苇鹪鹩(C. palustris)的定居或对特定地点的忠诚习性有利于歌曲模仿,而草甸苇鹪鹩(C. platensis)的半游牧习性则有利于歌曲即兴创作,即每只雄性个体能产生大量但独特的歌曲曲目。在本研究中,我们测试了新热带地区更具定居性的草甸苇鹪鹩种群是否会模仿歌曲。在我们位于哥斯达黎加卡塔戈附近的主要研究地点,1995年和1996年对繁殖鸟类进行了彩色环志,后续调查显示这些鸟类全年都留在该地点。对歌曲进行的广泛录音和分析表明,雄性个体有大量的歌曲曲目(200 - 300多首歌曲),并且许多歌曲在相邻雄性个体之间是共享的。此外,在距离仅27公里的拉帕斯托拉,雄性个体使用不同的歌曲。此外,在巴西的巴西利亚附近记录到了匹配对唱,即两只雄性个体用相同的歌曲类型相互回应。只有通过歌曲模仿才能实现永久邻居之间歌曲的共享、歌曲的微观地理变异以及匹配对唱,从而揭示了草甸苇鹪鹩不同种群在歌曲发展风格上的显著差异。在新热带地区,一生中拥有可预测的邻居似乎有利于歌曲模仿,这样个体就可以使用当地种群特有的、共同学习的代码进行互动;然而,在北美洲流动性更强的种群中,个体即兴创作大量物种特有的歌曲曲目,从而使歌唱的雄性个体能够与任何个体进行交流,无论其来自何种种群。歌曲发展策略必须与生活史特征相关联,需要进一步的调查来理解鸣禽歌唱行为的巨大多样性。版权所有1999年动物行为研究协会。