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作者信息

Portwich P

出版信息

Ber Wiss. 1998 Jul;21(2-3):175-83. doi: 10.1002/bewi.19980210210.

Abstract

In the following contribution the relevant aspects of the broadsheet of the municipial physician from Nuremberg Theodoricus Ulsenius of 1496 are represented. The broadsheet attracted the attention of the history of art because of the wood-cut, attributed to Durer, and became famous as the so-called Picture of the Plague-Stricken Man. The history of medicine on the other hand identifies the unknown new disease, described by Ulsenius in the latin text, as an early description of syphillis. To men at the turn of the 16th century, this disease appeared as an expression of divine wrath. The Renaissance medical science, influenced by the philosophy of Neo-Platonism, explained its orgin as the consequence of a cosmological constellation. Apart from this the broadsheet as an incunabulum has some relevance for the history of early letter-press printing, of which Nuremberg with its circles of artists and scholars represented an important centre.

摘要

在以下文稿中,呈现了1496年纽伦堡市医生西奥多里克·乌尔塞尼乌斯的大幅印刷品的相关方面。由于这幅木刻版画被认为出自丢勒之手,该大幅印刷品引起了艺术史的关注,并作为所谓的《瘟疫患者图》而闻名。另一方面,医学史将乌尔塞尼乌斯在拉丁文本中描述的未知新疾病认定为梅毒的早期描述。在16世纪之交,这种疾病在人们看来是神怒的一种表现。受新柏拉图主义哲学影响的文艺复兴时期医学将其起源解释为宇宙星座排列的结果。除此之外,作为早期印刷书籍,这幅大幅印刷品与早期活字印刷史也有一定关联,纽伦堡及其艺术家和学者圈子是这方面的一个重要中心。

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