Tchernichovski O, Mitra P P
Department of Biology, The City College of the City University of New York, 138 and Convent Ave, New York NY 10031, USA.
J Comp Physiol A Neuroethol Sens Neural Behav Physiol. 2002 Dec;188(11-12):867-78. doi: 10.1007/s00359-002-0352-4. Epub 2002 Nov 20.
The transition from an amorphous subsong into mature song requires a series of vocal changes. By tracing song elements during development, we have shown that the imitation trajectory to the target could not be predicted based on monotonic progression of vocal changes, indicating an internal component that imposes constraints on song development. Here we further examine the nature of constraints on song imitation in the zebra finch. We first present techniques for identifying and tracing distinctive vocal changes, and then we examine how sequences of vocal change are expressed and coordinated. Examples suggest two types of constraints on song imitation, based on the nature of the temporal context. Developmentally diachronic constraints are imposed by sequential dependencies between vocal changes as a function of developmental time, whereas developmentally synchronic constraints are given by the acoustic context of notes within the song. Finally, we show that the tendency of birds to copy certain sounds in the song model before others might be related to such constraints. We suggest that documenting the full range of distinctive vocal changes and the coordination of their expression would be useful for testing mechanisms of vocal imitation.
从无定型的亚鸣唱向成熟鸣唱的转变需要一系列发声变化。通过追踪发育过程中的鸣唱元素,我们发现,基于发声变化的单调进展无法预测对目标的模仿轨迹,这表明存在一个对鸣唱发育施加限制的内在因素。在此,我们进一步研究斑胸草雀鸣唱模仿中限制因素的本质。我们首先介绍识别和追踪独特发声变化的技术,然后研究发声变化序列是如何表达和协调的。实例表明,基于时间背景的性质,对鸣唱模仿存在两种类型的限制。发育历时性限制是由发声变化之间随发育时间的顺序依赖性施加的,而发育共时性限制则由歌曲中音符的声学背景给出。最后,我们表明,鸟类在模仿歌曲模型时先复制某些声音的倾向可能与这些限制有关。我们认为,记录所有独特的发声变化及其表达的协调性,将有助于测试发声模仿的机制。