Keegan Cait
Department of American Studies, State University of New York at Buffalo, Buffalo, NY 14260-4630, USA.
J Lesbian Stud. 2006;10(1-2):107-23. doi: 10.1300/J155v10n01_06.
What constitutes lesbian identity and who gets to define and/or inhabit such an identity in this postmodern and mediated world? This article addresses how the structure of televisual discourse restricts and streamlines "lesbian" representations in television movies. The supposed "progress" of appearing in the virtual public spaces of television and print media may fulfill the queer impulse for visibility in opposition to cultural silence, but it may also come at the price of a depoliticization of queer life and erotic resistance. Taking notice of which deployments of "queerness" are created and supported by text of the television movie, this article seeks insight into how the queer body and queer identity are being hegemonically reconstructed for consumption by this media form.
在这个后现代且充满媒介的世界里,什么构成了女同性恋身份认同,又是谁能够定义和/或拥有这样的身份认同呢?本文探讨电视话语结构如何限制并简化电视电影中“女同性恋”的呈现。出现在电视和印刷媒体的虚拟公共空间中所谓的“进步”,或许满足了酷儿群体渴望被看见以对抗文化沉默的冲动,但这也可能是以酷儿生活和情色抵抗的去政治化为代价。通过留意电视电影文本所创造和支持的“酷儿性”的哪些呈现方式,本文旨在深入了解酷儿身体和酷儿身份认同是如何被这种媒体形式以霸权方式重构以供消费的。