Hengst Julie A, Duff Melissa C, Prior Paul A
Department of Speech and Hearing, University of Illinois at Urbana-Champaign, Urbana, IL 61820, USA.
Int J Lang Commun Disord. 2008 May-Jun;43 Suppl 1:58-68. doi: 10.1080/13682820701698093.
Grounded in sociocultural theories of language development and use, this paper explores the concept of dialogic voice. Building on the term 'dialogue', dialogic voice points to the fundamentally social nature of language-in-use. From this perspective, language emerges from specific histories and thus carries the multiple voices of previous speakers. People draw on these voices to think about and represent the world, communicate with others, construct their own identities, and engage in play. Prior (2001) identified three key dimensions of dialogic voicing: typified social voices, re-envoicing others' words and acts, and personalized voice.
To present a theoretical framing for dialogic voice; to detail the dimensions of dialogic voice; and to offer a preliminary analysis of dialogic voicing in clinical discourse.
METHODS & PROCEDURES: Data consisted of ten treatment sessions for a 67-year-old man with amnesia and aphasia, using a collaborative barrier task protocol. Discourse analysis and selective coding were used to identify the three dimensions of dialogic voice in both clinician and client utterances.
OUTCOMES & RESULTS: During this collaborative task, the client and clinician produced an array of voices, including: (1) typified social voices to display professional expertise, family identities, and shared interests; (2) re-envoicing others' words and acts in both task and non-task interactions; and (3) personalized voicing, displayed mostly in the client's discourse.
Attention to dialogic voicing offers a way to see and reflect on the heterogeneity of discourse and the multiple identities that clinicians and clients alike can, and do, display in clinical settings. Tracing the complex interplay of multiple voices provides us with insights into rich communicative environments that, from a sociocultural perspective, provide opportunities for initiating change in the communicative practices of clients, their communicative partners, and ultimately clinical practice itself.
本文基于语言发展与使用的社会文化理论,探讨对话性声音的概念。对话性声音以“对话”一词为基础,指出语言使用的根本社会属性。从这个角度来看,语言源自特定的历史,因而承载着先前说话者的多种声音。人们借助这些声音来思考和呈现世界、与他人交流、构建自身身份以及参与游戏。普赖尔(2001)确定了对话性发声的三个关键维度:典型的社会声音、重复他人的言语和行为以及个性化声音。
为对话性声音提供理论框架;详细阐述对话性声音的维度;并对临床话语中的对话性发声进行初步分析。
数据包括一名67岁失忆失语男性患者的十次治疗会话,采用协作障碍任务方案。话语分析和选择性编码用于识别临床医生和患者话语中对话性声音的三个维度。
在这项协作任务中,患者和临床医生展现出一系列声音,包括:(1)典型的社会声音,以展示专业知识、家庭身份和共同兴趣;(2)在任务和非任务互动中重复他人的言语和行为;(3)个性化发声,主要体现在患者的话语中。
关注对话性发声为观察和反思话语的异质性以及临床医生和患者在临床环境中能够且确实展现的多种身份提供了一种方式。追踪多种声音的复杂相互作用为我们洞察丰富的交流环境提供了视角,从社会文化角度来看,这些环境为改变患者及其交流伙伴的交流实践乃至最终改变临床实践本身提供了机会。