Jackson Nancy A
Indiana University-Purdue University Fort Wayne, IN, USA.
J Music Ther. 2008 Summer;45(2):192-216. doi: 10.1093/jmt/45.2.192.
Clinical supervision is regularly given to music therapy students and interns, but the need for professional music therapy supervision has largely not been discussed or explored. In order to better understand prevailing thoughts about professional music therapy supervision, music therapists were surveyed and asked if they participate in supervision and how important they think supervision is for professionals. The results indicated that almost two thirds of professional music therapists do not participate in supervision. Differences in participation and importance ratings were found between several demographic groupings including years of practice and level of education. Two-tailed t tests revealed a significant difference in importance rating between those who participate in supervision and those who do not, with those who participate giving a higher importance rating. However, the majority of all respondents indicated that they felt professional supervision is at least moderately important. These results are explored and discussed, and recommendations are given.
临床督导会定期提供给音乐治疗专业的学生和实习生,但专业音乐治疗督导的必要性在很大程度上尚未得到讨论或探讨。为了更好地了解关于专业音乐治疗督导的普遍看法,对音乐治疗师进行了调查,询问他们是否参与督导以及他们认为督导对专业人员有多重要。结果表明,近三分之二的专业音乐治疗师不参与督导。在包括从业年限和教育水平在内的几个人口统计学分组之间,发现了参与度和重要性评级的差异。双尾t检验显示,参与督导的人和不参与督导的人在重要性评级上存在显著差异,参与督导的人给出的重要性评级更高。然而,所有受访者中的大多数表示,他们认为专业督导至少具有中等重要性。对这些结果进行了探讨和讨论,并给出了建议。