Trainor Laurel J, Gao Xiaoqing, Lei Jing-jiang, Lehtovaara Karen, Harris Laurence R
Department of Psychology, Neuroscience & Behaviour and the McMaster Institute for Music and the Mind, McMaster University, Hamilton, Ontario, Canada.
Cortex. 2009 Jan;45(1):35-43. doi: 10.1016/j.cortex.2007.10.014. Epub 2008 Nov 7.
Previous studies have indicated that physical movement on either every second or on every third beat of an unaccented auditory rhythm pattern can disambiguate whether it is perceived in double time as a march or in triple time as a waltz. Here we demonstrate that this disambiguation can also be accomplished by direct galvanic stimulation of the vestibular system. The galvanically induced sensation, without any actual movement, that the head moved from side to side on either every second or on every third beat of the ambiguous auditory rhythm pattern strongly biased whether adults perceived it as being in double or in triple time. These results imply that the vestibular system plays a primal role in the perception of musical rhythm.
先前的研究表明,在无重音听觉节奏模式的每两拍或每三拍上进行身体运动,可以消除人们对其是被感知为二拍节奏的进行曲还是三拍节奏的华尔兹的歧义。在此,我们证明这种歧义消除也可以通过直接电刺激前庭系统来实现。在模棱两可的听觉节奏模式的每两拍或每三拍上,通过电刺激诱发的、无需任何实际运动的头部左右移动的感觉,极大地影响了成年人将其感知为二拍节奏还是三拍节奏。这些结果表明,前庭系统在音乐节奏感知中起着首要作用。