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小提琴辐射率分布的结构声学模型。

Structural acoustics model of the violin radiativity profile.

作者信息

Bissinger George

机构信息

Physics Department, East Carolina University, Greenville, North Carolina 27858, USA.

出版信息

J Acoust Soc Am. 2008 Dec;124(6):4013-23. doi: 10.1121/1.3006957.

Abstract

Violin radiativity profiles are dominated by the Helmholtz-like A0 cavity mode ( approximately 280 Hz), first corpus bending modes B1(-) and B1(+) ( approximately 500 Hz), and BH and bridge-filter peaks ( approximately 2.4 kHz and approximately 3.5 kHz, respectively), with falloff above approximately 4 kHz. The B1 modes-dependent on two low-lying free-plate modes--are proposed to excite A0 via coupling to B1-driven in-phase f-hole volume flows. VIOCADEAS data show that A0 radiativity increases primarily as A0-B1(-) frequency difference decreases, consistent with Meinel's 1937 experiment for too-thick/too-thin plate thicknesses, plus sound post removal and violin octet baritone results. The vibration-->acoustic energy filter, F(RAD), computed from shape-material-independent radiation and total damping, peaks at the critical frequency f(crit), estimated from a free-plate mode by analogy to flat-plate bending. Experimentally, f(crit) decreased as this plate mode (and B1(+)) frequency increased. Simulations show that increasing plate thicknesses lowers f(crit), reduces F(RAD), and moves the spectral balance toward lower frequencies. Incorporating string-->corpus filters (including bridge versus bridge-island impedances) provides a model for overall violin radiativity. This model-with B1 and A0-B1 couplings, and f(crit) (computed from a free-plate mode important to B1) strongly affecting the lowest and highest parts of the radiativity profile-substantiates prior empirical B1--sound quality linkages.

摘要

小提琴的辐射率分布主要由类似亥姆霍兹的A0腔模式(约280赫兹)、第一琴身弯曲模式B1(-)和B1(+)(约500赫兹)以及BH和琴马 - 滤波器峰值(分别约为2.4千赫兹和约3.5千赫兹)主导,在约4千赫兹以上衰减。依赖于两个低位自由板模式的B1模式,被认为是通过与B1驱动的同相f孔体积流耦合来激发A0。VIOCADEAS数据表明,A0辐射率主要随着A0 - B1(-)频率差的减小而增加,这与迈内尔1937年关于过厚/过薄板厚度、加上音柱移除和小提琴八重奏男中音的实验结果一致。根据与形状 - 材料无关的辐射和总阻尼计算出的振动→声能滤波器F(RAD),在临界频率f(crit)处达到峰值,该临界频率通过类比平板弯曲从自由板模式估计得出。实验上,f(crit)随着该板模式(以及B1(+))频率的增加而降低。模拟表明,增加板的厚度会降低f(crit),降低F(RAD),并使频谱平衡向低频移动。纳入弦→琴身滤波器(包括琴马与琴马 - 琴岛阻抗)为小提琴的整体辐射率提供了一个模型。这个模型——其中B1和A0 - B1耦合以及f(crit)(根据对B1重要的自由板模式计算得出)强烈影响辐射率分布的最低和最高部分——证实了先前关于B1与音质联系的经验。

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