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《描绘一只鸟的画像》:一位“发展性”荣格派学者视角下的分析作品

'To Paint the Portrait of a Bird': analytic work from the perspective of a 'developmental' Jungian.

作者信息

Morgan Helen

出版信息

J Anal Psychol. 2012 Feb;57(1):40-56. doi: 10.1111/j.1468-5922.2011.01950.x.

Abstract

Jungians who are trained in the so-called 'Developmental School' straddle the two worlds of psychoanalysis and classical Jungian thinking. This is not always an easy position in which to be, but if the tensions can be held it is potentially a rich and creative way of working. In this paper I attempt to explore this position using the poem, 'To Paint the Portrait of a Bird' by Jacques Prévert as a metaphor for the analytic endeavour. From this perspective I hope to illustrate the importance of being able on the one hand to hold and maintain a clear frame for the careful and detailed exploration of the transference within which the more malign aspects of the psyche might be expressed, and, on the other, to allow the alchemical process of mutual transformation that lies outside the conscious understanding of the analytic couple.

摘要

接受所谓“发展学派”训练的荣格派分析师跨越了精神分析和经典荣格思想这两个世界。处于这种位置并不总是轻松的,但如果能承受住这些紧张关系,这可能是一种丰富而有创造性的工作方式。在本文中,我试图以雅克·普雷韦尔的《给一只鸟画像》这首诗作为分析努力的隐喻来探讨这一立场。从这个角度出发,我希望说明一方面能够为仔细而详细地探索移情保持并维持一个清晰框架的重要性,在这个框架内,心理的更具恶性的方面可能会得以表达;另一方面,要允许分析双方意识理解之外的相互转化的炼金术过程。

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