Department of Psychology, University of Toronto Mississauga, Mississauga, ON, L5L 1C6, Canada.
Psychol Res. 2013 Mar;77(2):196-203. doi: 10.1007/s00426-012-0427-y. Epub 2012 Feb 25.
We examined the influence of incidental exposure to varied metrical patterns from different musical cultures on the perception of complex metrical structures from an unfamiliar musical culture. Adults who were familiar with Western music only (i.e., simple meters) and those who also had limited familiarity with non-Western music were tested on their perception of metrical organization in unfamiliar (Turkish) music with simple and complex meters. Adults who were familiar with Western music detected meter-violating changes in Turkish music with simple meter but not in Turkish music with complex meter. Adults with some exposure to non-Western music that was unmetered or metrically complex detected meter-violating changes in Turkish music with both simple and complex meters, but they performed better on patterns with a simple meter. The implication is that familiarity with varied metrical structures, including those with a non-isochronous tactus, enhances sensitivity to the metrical organization of unfamiliar music.
我们考察了偶然接触来自不同音乐文化的不同韵律模式对感知来自陌生音乐文化的复杂韵律结构的影响。只熟悉西方音乐(即简单节拍)的成年人和那些对非西方音乐也有一定熟悉程度的成年人,在感知具有简单和复杂节拍的陌生(土耳其)音乐的韵律组织方面接受了测试。熟悉西方音乐的成年人在简单节拍的土耳其音乐中检测到节拍违规变化,但在复杂节拍的土耳其音乐中则没有。一些接触过无节拍或韵律复杂的非西方音乐的成年人在具有简单和复杂节拍的土耳其音乐中都检测到了节拍违规变化,但他们在具有简单节拍的模式上表现更好。这意味着熟悉各种韵律结构,包括非等时触突的韵律结构,提高了对陌生音乐的韵律组织的敏感性。