Faculty of Social Sciences, Department of Psychology, University of Oslo, Oslo, Norway.
Scand J Psychol. 2013 Oct;54(5):423-31. doi: 10.1111/sjop.12069. Epub 2013 Jul 10.
This study investigated the rhyme-as-reason effect on new artificially created advertising slogans. Rhymes and non-rhymes were in Experiment 1 and 2 compared in a between-subjects design and in Experiment 3 in a within-subjects design. The quality of the form and content of the slogans was always evaluated by separate groups. In Experiment 1, we found a strong preference for rhyming slogans as opposed to their non-rhyming counterparts. Rhymes were rated as more likeable, more original, easier to remember, more suitable for campaigns, more persuasive and more trustworthy. In Experiment 2, social advertising messages were evaluated favorably in both rhyming and non-rhyming versions. However, when participants directly compared rhymes and non-rhymes on the same scale (Experiment 3), the difference between commercial and social advertising disappeared and for all slogans rhymes were clearly preferred to non-rhymes in terms of both form and content. A detailed analysis revealed that the rhymes scoring high on formal aspects were also favored in the questionnaire investigating content aspects.
本研究调查了押韵作为推理效应对新创造的广告标语的影响。在实验 1 和 2 中,在被试间设计中比较了押韵和非押韵,在实验 3 中在被试内设计中进行了比较。通过单独的小组来评估标语的形式和内容的质量。在实验 1 中,我们发现人们强烈偏爱押韵的标语,而不是非押韵的标语。押韵的标语被评为更具吸引力、更有创意、更容易记住、更适合广告活动、更有说服力和更值得信赖。在实验 2 中,无论是押韵还是非押韵的社会广告信息都受到了好评。然而,当参与者在同一个量表上直接比较押韵和非押韵的标语时(实验 3),商业和社会广告之间的区别消失了,对于所有的标语,在形式和内容方面,押韵都明显优于非押韵。详细分析表明,在形式方面得分高的押韵也在调查内容方面的问卷中受到青睐。