Poltoratski Sonia, Tong Frank
Department of Psychology.
J Exp Psychol Gen. 2014 Oct;143(5):1875-92. doi: 10.1037/a0037365. Epub 2014 Aug 25.
Scenes and objects are effortlessly processed and integrated by the human visual system. Given the distinct neural and behavioral substrates of scene and object processing, it is likely that individuals sometimes preferentially rely on one process or the other when viewing canonical "scene" or "object" stimuli. This would allow the visual system to maximize the specific benefits of these 2 types of processing. It is less obvious which of these modes of perception would be invoked during naturalistic visual transition between a focused view of a single object and an expansive view of an entire scene, particularly at intermediate views that may not be assigned readily to either stimulus category. In the current study, we asked observers to report their online perception of such dynamic image sequences, which zoomed and panned between a canonical view of a single object and an entire scene. We found a large and consistent effect of prior perception, or hysteresis, on the classification of the sequence: observers classified the sequence as an object for several seconds longer if the trial started at the object view and zoomed out, whereas scenes were perceived for longer on trials beginning with a scene view. This hysteresis effect resisted several manipulations of the movie stimulus and of the task performed, but hinged on the perceptual history built by unidirectional progression through the image sequence. Multiple experiments confirmed that this hysteresis effect was not purely decisional and was more prominent for transitions between corresponding objects and scenes than between other high-level stimulus classes. This finding suggests that the competitive mechanisms underlying hysteresis may be especially prominent in the perception of objects and scenes. We propose that hysteresis aids in disambiguating perception during naturalistic visual transitions, which may facilitate a dynamic balance between scene and object processing to enhance processing efficiency.
人类视觉系统能够轻松地处理和整合场景与物体。鉴于场景和物体处理具有不同的神经和行为基础,个体在观看典型的“场景”或“物体”刺激时,有时可能会优先依赖其中一种处理方式。这将使视觉系统能够最大限度地发挥这两种处理方式的特定优势。在从单个物体的聚焦视图到整个场景的广阔视图的自然视觉转换过程中,尤其是在可能不容易归为任何一种刺激类别的中间视图中,究竟会调用哪种感知模式就不太明显了。在当前的研究中,我们要求观察者报告他们对这种动态图像序列的即时感知,这些序列在单个物体的典型视图和整个场景之间进行缩放和平移。我们发现,先前的感知,即滞后现象,对序列的分类有很大且一致的影响:如果试验从物体视图开始并向外缩放,观察者会将序列分类为物体的时间会长几秒,而从场景视图开始的试验中,对场景的感知时间会更长。这种滞后效应在电影刺激和执行的任务的几种操作中都存在,但取决于通过图像序列单向推进所建立的感知历史。多项实验证实,这种滞后效应并非纯粹的决策性效应,并且在相应的物体和场景之间的转换比在其他高级刺激类别之间的转换更为显著。这一发现表明,滞后现象背后的竞争机制在物体和场景的感知中可能尤为突出。我们提出,滞后现象有助于在自然视觉转换过程中消除感知的歧义,这可能有助于在场景和物体处理之间实现动态平衡,以提高处理效率。