Ma Weiyi, Thompson William Forde
Australian Research Council Centre of Excellence in Cognition and its Disorders, Macquarie University, Sydney, NSW 2109, Australia; School of Linguistics and Literature, University of Electronic Science and Technology of China, Chengdu 610000, China;
Australian Research Council Centre of Excellence in Cognition and its Disorders, Macquarie University, Sydney, NSW 2109, Australia; Department of Psychology, Macquarie University, Sydney, NSW 2109, Australia
Proc Natl Acad Sci U S A. 2015 Nov 24;112(47):14563-8. doi: 10.1073/pnas.1515087112. Epub 2015 Nov 9.
Emotional responses to biologically significant events are essential for human survival. Do human emotions lawfully track changes in the acoustic environment? Here we report that changes in acoustic attributes that are well known to interact with human emotions in speech and music also trigger systematic emotional responses when they occur in environmental sounds, including sounds of human actions, animal calls, machinery, or natural phenomena, such as wind and rain. Three changes in acoustic attributes known to signal emotional states in speech and music were imposed upon 24 environmental sounds. Evaluations of stimuli indicated that human emotions track such changes in environmental sounds just as they do for speech and music. Such changes not only influenced evaluations of the sounds themselves, they also affected the way accompanying facial expressions were interpreted emotionally. The findings illustrate that human emotions are highly attuned to changes in the acoustic environment, and reignite a discussion of Charles Darwin's hypothesis that speech and music originated from a common emotional signal system based on the imitation and modification of environmental sounds.
对具有生物学意义的事件产生情感反应对人类生存至关重要。人类的情感是否会合法地追踪声学环境的变化?在此我们报告,在语音和音乐中与人类情感相互作用的声学属性变化,当它们出现在环境声音中时,包括人类行为的声音、动物叫声、机器声或自然现象(如风雨声)时,也会引发系统性的情感反应。已知在语音和音乐中表示情感状态的三种声学属性变化被施加到24种环境声音上。对刺激的评估表明,人类情感追踪环境声音中的此类变化,就如同它们对语音和音乐的追踪一样。此类变化不仅影响对声音本身的评估,还影响对伴随面部表情的情感解读方式。这些发现表明,人类情感对声学环境的变化高度敏感,并重新引发了对查尔斯·达尔文假说的讨论,该假说认为语音和音乐起源于基于对环境声音的模仿和修改的共同情感信号系统。