Nozaradan Sylvie, Mouraux André, Jonas Jacques, Colnat-Coulbois Sophie, Rossion Bruno, Maillard Louis
Institute of Neuroscience (Ions), Université catholique de Louvain (UCL), 53, Avenue Mounier, UCL 53.75, 1200, Brussels, Belgium.
The MARCS Institute, Western Sydney University, Sydney, NSW, 2214, Australia.
Brain Struct Funct. 2017 Jul;222(5):2389-2404. doi: 10.1007/s00429-016-1348-0. Epub 2016 Dec 18.
Musical entrainment is shared by all human cultures and the perception of a periodic beat is a cornerstone of this entrainment behavior. Here, we investigated whether beat perception might have its roots in the earliest stages of auditory cortical processing. Local field potentials were recorded from 8 patients implanted with depth-electrodes in Heschl's gyrus and the planum temporale (55 recording sites in total), usually considered as human primary and secondary auditory cortices. Using a frequency-tagging approach, we show that both low-frequency (<30 Hz) and high-frequency (>30 Hz) neural activities in these structures faithfully track auditory rhythms through frequency-locking to the rhythm envelope. A selective gain in amplitude of the response frequency-locked to the beat frequency was observed for the low-frequency activities but not for the high-frequency activities, and was sharper in the planum temporale, especially for the more challenging syncopated rhythm. Hence, this gain process is not systematic in all activities produced in these areas and depends on the complexity of the rhythmic input. Moreover, this gain was disrupted when the rhythm was presented at fast speed, revealing low-pass response properties which could account for the propensity to perceive a beat only within the musical tempo range. Together, these observations show that, even though part of these neural transforms of rhythms could already take place in subcortical auditory processes, the earliest auditory cortical processes shape the neural representation of rhythmic inputs in favor of the emergence of a periodic beat.
音乐同步现象为所有人类文化所共有,对周期性节拍的感知是这种同步行为的基石。在此,我们研究了节拍感知是否可能源于听觉皮层处理的最早阶段。我们从8名在颞横回和颞平面植入深度电极的患者(总共55个记录位点)记录了局部场电位,这些区域通常被认为是人类的初级和次级听觉皮层。使用频率标记方法,我们发现这些结构中的低频(<30Hz)和高频(>30Hz)神经活动通过与节律包络的频率锁定忠实地跟踪听觉节律。对于低频活动,观察到对节拍频率进行频率锁定的响应在幅度上有选择性增加,而高频活动则没有,并且在颞平面中这种增加更明显,特别是对于更具挑战性的切分节奏。因此,这种增益过程在这些区域产生的所有活动中并非系统性的,而是取决于节律输入的复杂性。此外,当节律以快速呈现时,这种增益会受到干扰,揭示出低通响应特性,这可以解释为什么人们倾向于仅在音乐节奏范围内感知节拍。总之,这些观察结果表明,尽管这些节律的神经转换部分可能已经在皮层下听觉过程中发生,但最早的听觉皮层过程塑造了节律输入的神经表征,有利于周期性节拍的出现。