Moura Tatiana, Cerdeira Linda
Centre for Social Studies, University of Coimbra, Coimbra, Portugal.
Front Sociol. 2021 Mar 9;6:637564. doi: 10.3389/fsoc.2021.637564. eCollection 2021.
Gender dimensions of violence, and especially women's experiences in settings of urban violence have been the subject of important feminist research, including those that highlight gender as essential for comprehensive analyses of security and urban violence, and for promoting solutions and positive change. A primary contribution of feminist research indeed has been to demonstrate that there are both visible and invisible aspects of urban violence. A gap in literature on these gender dimensions is that of men's construction of masculinities - and how these constructions are challenged during times. An important set of invisible phenomena within urban spaces and their peripheries includes the positive and decolonial responses that occur, including non-violent and feminist cultural and artistic pathways and the factors that lead men to resist to dominant, violent, or 'hyper' versions of masculinities. While there is a predominate focus on men's involvement in violence, far less attention has been placed on men's non-violent pathways. Based on examples of cultural, artistic and activist practices from the peripheries, namely those emerging in Rio de Janeiro, this article aims to discuss how artivism can challenge gender inequalities and power relations.
暴力的性别层面,尤其是女性在城市暴力环境中的经历,一直是重要的女性主义研究主题,其中包括那些强调性别对于全面分析安全与城市暴力以及推动解决方案和积极变革至关重要的研究。女性主义研究的一个主要贡献确实在于表明城市暴力存在可见和不可见的方面。关于这些性别层面的文献中的一个空白是男性对男子气概的建构——以及这些建构在不同时期是如何受到挑战的。城市空间及其周边地区存在的一组重要的无形现象包括所出现的积极和去殖民化反应,包括非暴力和女性主义文化及艺术途径,以及促使男性抵制占主导地位的、暴力的或 “过度” 的男子气概版本的因素。虽然主要关注的是男性参与暴力的情况,但对男性的非暴力途径关注得要少得多。基于来自周边地区(即里约热内卢出现的那些)的文化、艺术和激进主义实践的例子,本文旨在探讨行动主义艺术如何能够挑战性别不平等和权力关系。