Ørbæk Trine
Department of Educational Science, University of South-Eastern Norway, Kongsberg, Norway.
Front Sports Act Living. 2021 Oct 29;3:758944. doi: 10.3389/fspor.2021.758944. eCollection 2021.
Creating dance in physical education teacher education (PETE) is described as a way of expressing subjective experiences based on movements that the students have already mastered or as a way of composing dance with set movements from various dance forms that are further explored through concepts such as time, space, power and flow. This article shows how 13 Norwegian student teachers experienced the creation of dance as part of their PETE. It explores the following questions: how do student teachers in PETE experience dance creation as an embodied process of exploring, transforming and creating movements, and how were these experiences facilitated by bodily learning that was initiated by body memories? The results show that creating dance is a intersubjective, intercorporeal and interaffective phenomenon where the sense-making process happens as both an individual and a joint process. This ongoing individual and participatory sense-making can further be understood as a reciprocal dependency between culture and self, where the students' bodily learning process evolves on an existential level over time. Through this process, the students develop a sense of confidence and trust in each other, which creates a feeling of belonging. The educational potential of bodily learning through creating dance can be seen in relation to the affordances the students perceive and utilize within their learning culture in PETE.
在体育教师教育(PETE)中创作舞蹈,被描述为一种基于学生已经掌握的动作来表达主观体验的方式,或者是一种用来自各种舞蹈形式的既定动作编排舞蹈的方式,这些动作通过时间、空间、力量和流动等概念得到进一步探索。本文展示了13名挪威实习教师如何体验将舞蹈创作作为他们体育教师教育的一部分。它探讨了以下问题:体育教师教育中的实习教师如何将舞蹈创作体验为一个探索、转变和创造动作的具身过程,以及这些体验是如何由身体记忆引发的身体学习所促进的?结果表明,创作舞蹈是一种主体间、身体间和情感间的现象,意义建构过程既是个体过程也是联合过程。这种持续的个体和参与性意义建构可以进一步理解为文化与自我之间的相互依存关系,学生的身体学习过程随着时间在存在层面上不断发展。通过这个过程,学生们培养了对彼此的信心和信任,从而产生了归属感。通过创作舞蹈进行身体学习的教育潜力,可以从学生在体育教师教育的学习文化中所感知和利用的可供性方面来看待。