Vukadinović Maja S, Marković Slobodan
Novi Sad Business School, Novi Sad, Serbia.
University of Belgrade - Faculty of Philosophy, Belgrade, Serbia.
Psych J. 2022 Oct;11(5):660-672. doi: 10.1002/pchj.513. Epub 2021 Dec 14.
The aim of this study is to explore factor structure of audiences' physical experience and their related bodily sensations when watching dance choreographies. This study also includes the process of developing an instrument for measuring the observers' physical experience of dance choreographies and their related kinesthetic responses to watching dance. In the main study, participants rated their physical experiences and kinesthetic responses when watching 16 different dance choreographies of various dance forms, including contemporary dance, jazz, tango, and hip-hop. Three factors of the observers' physical experiences when watching dance were identified: Action Tendency, Arousal, and Relaxation. Furthermore, the results show that the structure of the observers' kinesthetic responses when watching dance consisted of three factors: Focus, Excitement and Embodied Anticipation. The spectators' physical experiences and bodily sensations in response to an observed dance are the result of their engagement in the dance, the pleasure they draw from the dance, the emotions provoked in them, and their admiration for the performance. These findings are in line with the concept of kinesthetic empathy, which can be understood as the experience of sharing a dancer's movements.
本研究的目的是探讨观众在观看舞蹈编排时身体体验的因素结构及其相关的身体感觉。本研究还包括开发一种工具,用于测量观察者对舞蹈编排的身体体验以及他们观看舞蹈时的相关动觉反应。在主要研究中,参与者对观看16种不同舞蹈形式(包括当代舞、爵士舞、探戈舞和嘻哈舞)的舞蹈编排时的身体体验和动觉反应进行了评分。确定了观察者观看舞蹈时身体体验的三个因素:行动倾向、唤醒和放松。此外,结果表明,观察者观看舞蹈时动觉反应的结构由三个因素组成:专注、兴奋和具身预期。观众对所观察舞蹈的身体体验和身体感觉是他们参与舞蹈、从舞蹈中获得的乐趣、舞蹈引发的情感以及他们对表演的钦佩的结果。这些发现与动觉共情的概念一致,动觉共情可以理解为分享舞者动作的体验。