Kaufmann Judith-Elisa, Stubbe Janine H, Nelissen Rob Ghh, Gademan Maaike Gj
Dep. of Orthopaedics, Leiden University Medical Centre, Albinusdreef 2, K2-Q, route 774, 2333 ZA Leiden, The Netherlands.
Med Probl Perform Art. 2024 Jun;39(2):93-107. doi: 10.21091/mppa.2024.2007.
Ballet dancers have a high injury risk. We aimed to gain insight into the causes for acute and overuse injuries in ballet dancers and the level of implementation of injury prevention by ballet teachers/masters, as perceived by dancers.
An international cross-sectional online-survey was based on the Fit-to-Dance Questionnaire and literature. Adult amateur, pre-professional, and professional ballet dancers reported the perceived causes of their injuries sustained in the previous 2 years. Multiple answers per injury were possible. Also, dancers rated the level of implementation of measures to prevent injury by their ballet teachers and ballet masters based on 21 items using a 5-point Likert scale. Causes were analyzed per-injury as well as per-dancer.
188 ballet ensembles and 51 dance organizations were contacted, from which 192 ballet dancers (mean age 27 ±7.8 yrs, 83% females) responded. 119 dancers (62%) reported 203 acute and 164 (85%) reported 469 overuse injuries. Fatigue was the most frequently perceived cause for acute injuries in the per-injury (n=89, 43.8%) and per-dancer analysis (n=63, 32.8%). For overuse injuries, pressure from the teacher/master was most frequently perceived as cause in the per-injury analysis (n=240, 51.2%), specifically in pre-/professional dancers (n=233, 61.3%). In the per-dancer analysis, fatigue/overtraining scored highest for overuse injuries (n=107; 55.7%). Other causes were previous/repetitive injuries (acute-per-injury 26.1%, acute-per-dancer 22.4%; overuse-per-injury 46.3%, overuse-per-dancer 53.1%) or erroneous dance technique (acute-per-injury 24.6%, acute-per-dancer 21.9%; overuse-per-injury 47.8%, overuse-per-dancer 45.3%). With regard to perceived level of implementation of injury preventive measures by ballet teachers/masters to prevent musculoskeletal injuries, 2 items received high ratings, 12 moderate ratings and 6 low ratings.
Fatigue and pressure accounted for the majority of perceived causes for injuries. Perceived support by ballet teachers/masters regarding injury prevention was moderate to low. Future research should focus on the awareness, attitudes, and the important role of ballet teachers/masters for injury prevention in dancers.
芭蕾舞演员受伤风险较高。我们旨在深入了解芭蕾舞演员急性损伤和过度使用损伤的原因,以及舞者所感知的芭蕾舞教师/教练预防损伤措施的实施水平。
基于“健康舞蹈问卷”和相关文献开展一项国际横断面在线调查。成年业余、准专业和专业芭蕾舞演员报告了他们在过去两年中受伤的感知原因。每次损伤可能有多个答案。此外,舞者根据21个项目,采用5点李克特量表对芭蕾舞教师和教练预防损伤措施的实施水平进行评分。对损伤原因按每次损伤以及按舞者进行分析。
联系了188个芭蕾舞团和51个舞蹈组织,其中192名芭蕾舞演员(平均年龄27±7.8岁,83%为女性)做出了回应。119名舞者(62%)报告了203例急性损伤,164名舞者(85%)报告了469例过度使用损伤。在每次损伤分析(n=89,43.8%)和按舞者分析(n=63,32.8%)中,疲劳是急性损伤最常被感知的原因。对于过度使用损伤,在每次损伤分析中,教师/教练的压力最常被视为原因(n=240,51.2%),特别是在准专业/专业舞者中(n=233,61.3%)。在按舞者分析中,疲劳/过度训练在过度使用损伤方面得分最高(n=107;55.7%)。其他原因包括既往/重复性损伤(急性损伤-每次损伤26.1%,急性损伤-按舞者22.4%;过度使用损伤-每次损伤46.3%,过度使用损伤-按舞者53.1%)或错误的舞蹈技术(急性损伤-每次损伤2