Taniyama Yuma, Nihei Yuji, Minami Tetsuto, Nakauchi Shigeki
Human Argumentation Research Center, National Institute of Advanced Industrial Science and Technology (AIST), Kashiwa, 277-0882, Japan.
Department of Computer Science and Engineering, Toyohashi University of Technology, Toyohashi, 441-8580, Japan.
Sci Rep. 2025 Feb 10;15(1):4878. doi: 10.1038/s41598-025-88815-6.
Color composition is a crucial factor in the aesthetic evaluation of paintings. Several studies have reported a prototype preference for art paintings, where altering the original painting results in a poorer aesthetic evaluation. If the original painting has familiar features, the phenomenon of original preference may be due to the fluency of processing color composition in paintings. However, there are few investigations into the neurocognitive mechanisms underlying the preference for original paintings. This study aimed to clarify whether the original preference is due to the fluency of processing color composition using P3 asymmetry to reflect perceptual fluency for stimuli. Oddball tasks with a combination of the original and 180°, or 90° and 270° as control, were performed by swapping the repetitive and deviant stimuli for each task. The results revealed that P3 asymmetry was found only with a combination of 0° and 180°, indicating that the color composition of original paintings can be fluently processed compared with other color compositions in hue-rotated paintings. This explanation may lead to the elucidation of universal color preferences or physiological mechanisms that favor certain color compositions.
色彩构成是绘画审美评价中的一个关键因素。多项研究报告称,人们对艺术绘画存在原型偏好,改变原画会导致审美评价变差。如果原画具有熟悉的特征,对原画的偏好现象可能是由于处理绘画中色彩构成的流畅性。然而,对于偏好原画背后的神经认知机制的研究却很少。本研究旨在利用P3不对称性来反映刺激的感知流畅性,以阐明对原画的偏好是否源于处理色彩构成的流畅性。通过为每个任务交换重复刺激和偏差刺激,进行了以原画与180°或90°和270°组合为对照的Oddball任务。结果显示,仅在0°和180°的组合中发现了P3不对称性,这表明与色调旋转绘画中的其他色彩构成相比,原画的色彩构成能够被更流畅地处理。这一解释可能有助于阐明普遍的色彩偏好或有利于某些色彩构成的生理机制。