Andrews T J, Schluppeck D
University Laboratory of Physiology, University of Oxford, Parks Road, Oxford OX1 3PT, UK.
Vision Res. 2000;40(25):3485-93. doi: 10.1016/s0042-6989(00)00188-7.
The aim of this study was to determine whether there is a link between the statistical properties of natural scenes and our perception of moving surfaces. Accordingly, we devised an ambiguous moving stimulus that could be perceived as moving in one of three directions of motion. The stimulus was a circular patch containing three square-wave drifting gratings. One grating was always either horizontal or vertical; the other two had component directions of drift at 120 degrees to the first (and to each other), producing four possible stimulus geometries. These were presented in a pseudorandom sequence. In brief presentations, subjects always perceived two of the gratings to cohere and move as a pattern in one direction, and the third grating to move independently in the opposite direction (its component direction). Although there were three equally plausible axes (one cardinal and two oblique) along which the coherent and independent motions could occur, subjects routinely saw motion along one of the cardinal axes. Thus, the visual system preferentially combines the two oblique gratings to form a pattern that drifts in the opposite direction to the cardinal grating. It was only when the contrast of one of the oblique gratings was changed that an oblique axis of motion was perceived. This perceptual anisotropy can be related to naturally occurring bias in the visual environment, notably the predominance of horizontal and vertical contours in our visual world.
本研究的目的是确定自然场景的统计特性与我们对移动表面的感知之间是否存在联系。因此,我们设计了一种模棱两可的移动刺激,它可以被感知为在三个运动方向之一上移动。刺激物是一个圆形斑块,包含三个方波漂移光栅。其中一个光栅总是水平或垂直的;另外两个光栅的漂移分量方向与第一个光栅(以及彼此)成120度角,产生四种可能的刺激几何形状。这些以伪随机序列呈现。在简短的呈现中,受试者总是将其中两个光栅视为连贯并作为一个图案在一个方向上移动,而第三个光栅在相反方向(其分量方向)上独立移动。尽管存在三个同样合理的轴(一个主方向和两个斜方向),沿着这些轴可能发生连贯和独立的运动,但受试者通常会看到沿着主方向轴之一的运动。因此,视觉系统优先将两个斜光栅组合成一个与主光栅相反方向漂移的图案。只有当其中一个斜光栅的对比度发生变化时,才会感知到斜运动轴。这种感知各向异性可能与视觉环境中自然存在的偏差有关,特别是我们视觉世界中水平和垂直轮廓的主导地位。