Sghirlanzoni A, Carella F
National Neurological Institute C. Besta, Milan, Italy.
Neurol Sci. 2000 Aug;21(4):251-3. doi: 10.1007/s100720070085.
"All the great writers have good eyes" is a sentence by V. Nabokov that is very suitable for G.G. Márquez and his One Hundred Years of Solitude. The novel, published in 1967, introduces among many others, the character of little Rebeca, whose frailness and greenish skin revealed hunger "that was older than she was". The girl, because of a pica syndrome, only liked to eat earth and the cake of whitewash. But her fate appears to be determined by the lethal insomnia plague, whose most fearsome part was not the impossibility of sleeping but its inexorable evolution toward a loss of memory in which the sick person "sinks into a kind of idiocy that had no past". Rebeca's lethal insomnia looks quite similar to the "peculiar, fatal disorder of sleep" originally described by Lugaresi et al. in 1986. One Hundred Years (of Solitude shows that G.G. Márquez was gifted not only with good eyes, but has the seductive power of changing reality into fantasy, while transforming his visions into reality.
“所有伟大的作家都有敏锐的洞察力”,这是弗拉基米尔·纳博科夫说过的一句话,非常适用于加西亚·马尔克斯和他的《百年孤独》。这部于1967年出版的小说,塑造了众多人物形象,其中包括小蕾贝卡,她的虚弱和青绿色的皮肤显示出“比她年龄还大的饥饿”。这个女孩因患异食癖,只喜欢吃土和石灰块。但她的命运似乎由致命失眠症瘟疫决定,这种病最可怕的地方并非无法入睡,而是其不可阻挡地演变成失忆,病人“陷入一种没有过去的白痴状态”。蕾贝卡的致命失眠症与卢加雷西等人在1986年最初描述的“奇特的、致命的睡眠障碍”颇为相似。《百年孤独》表明,加西亚·马尔克斯不仅有敏锐的洞察力,还拥有将现实转化为幻想,同时将其幻想变为现实的迷人力量。