Ramachandran V S, Hubbard E M
Center for Brain and Cognition, University of California, San Diego, La Jolla 92093-0109, USA.
Proc Biol Sci. 2001 May 7;268(1470):979-83. doi: 10.1098/rspb.2000.1576.
We studied two otherwise normal, synaesthetic subjects who 'saw' a specific colour every time they saw a specific number or letter. We conducted four experiments in order to show that this was a genuine perceptual experience rather than merely a memory association. (i) The synaesthetically induced colours could lead to perceptual grouping, even though the inducing numerals or letters did not. (ii) Synaesthetically induced colours were not experienced if the graphemes were presented peripherally. (iii) Roman numerals were ineffective: the actual number grapheme was required. (iv) If two graphemes were alternated the induced colours were also seen in alternation. However, colours were no longer experienced if the graphemes were alternated at more than 4 Hz. We propose that grapheme colour synaesthesia arises from 'cross-wiring' between the 'colour centre' (area V4 or V8) and the 'number area', both of which lie in the fusiform gyrus. We also suggest a similar explanation for the representation of metaphors in the brain: hence, the higher incidence of synaesthesia among artists and poets.
我们研究了两名在其他方面均正常的联觉受试者,他们每次看到特定数字或字母时都会“看到”一种特定颜色。我们进行了四项实验,以证明这是一种真实的感知体验,而非仅仅是记忆联想。(i)即使诱发数字或字母不能导致感知分组,但联觉诱发的颜色却能做到。(ii)如果字素呈现在外周视野,则不会体验到联觉诱发的颜色。(iii)罗马数字无效:需要实际的数字字素。(iv)如果两个字素交替呈现,诱发的颜色也会交替出现。然而,如果字素以超过4赫兹的频率交替呈现,则不再体验到颜色。我们提出,字素-颜色联觉源于位于梭状回的“颜色中枢”(V4区或V8区)与“数字区”之间的“交叉连线”。我们还对大脑中隐喻的表征提出了类似的解释:因此,艺术家和诗人中联觉的发生率更高。