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[居斯塔夫·福楼拜与其分身,或艺术创作中半球的辩证法]

[Gustave Flaubert and his double, or the dialectic of the hemispheres in artistic creation].

作者信息

Cambier J

出版信息

Hist Sci Med. 1996;30(1):103-10.

Abstract

Paul Girard was intrigued by Gustave Flaubert, author of the famous French novel Madame Bovary, because of the relationship between the author's style and his left temporal epilepsy. Gustave Flaubert led a double life; a highly appreciated guest at the best of Parisian soirées, he spent much of his life at Croisset as a hermit. He spoke little, yet he wrote in an extremely elaborate literary style. These contrasts cannot be explained solely on the grounds of an intercritical behaviour syndrome due to temporal epilepsy. For Flaubert, writing was a mean of compensating for an unbalanced hemispheric activation, his rigorous attention to style taming his overabundant imagination.

摘要

保罗·吉拉尔对法国著名小说《包法利夫人》的作者居斯塔夫·福楼拜很感兴趣,因为这位作者的写作风格与他的左侧颞叶癫痫之间存在关联。居斯塔夫·福楼拜过着双重生活:他是巴黎上流社交晚会备受赞赏的座上宾,但一生中大部分时间都在克鲁瓦塞过着隐士般的生活。他寡言少语,却写出了极为精致的文学风格。这些反差不能仅仅用颞叶癫痫导致的发作间期行为综合征来解释。对福楼拜来说,写作是一种补偿半球激活失衡的方式,他对风格的严格关注抑制了他过于丰富的想象力。

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