Dequand S, Willems J F H, Leroux M, Vullings R, van Weert M, Thieulot C, Hirschberg A
Technische Universiteit Eindhoven, Postbus 513, 5600 MB Eindhoven, The Netherlands.
J Acoust Soc Am. 2003 Mar;113(3):1724-35. doi: 10.1121/1.1543929.
Flue instruments such as the recorder flute and the transverse flute have different mouth geometries and acoustical response. The effect of the mouth geometry is studied by considering the aeroacoustical response of a simple whistle. The labium of a transverse flute has a large edge angle (60 degrees) compared to that of a recorder flute (15 degrees). Furthermore, the ratio W/h of the mouth width W to the jet thickness h can be varied in the transverse flute (lips of the musician) while it is fixed to a value W/h approximately 4 in a recorder flute. A systematic experimental study of the steady oscillation behavior has been carried out. Results of acoustical pressure measurements and flow visualization are presented. The sharp edge of the recorder provides a sound source which is rich in harmonics at the cost of stability. The larger angle of the labium of the flute seems to be motivated by a better stability of the oscillations for thick jets but could also be motivated by a reduction of broadband turbulence noise. We propose two simplified sound source models which could be used for sound synthesis: a jet-drive model for W/h>2 and a discrete-vortex model for W/h<2.
长笛类乐器,如直笛和横笛,具有不同的吹口几何形状和声学响应。通过考虑一个简单哨子的气动声学响应来研究吹口几何形状的影响。与直笛(15度)相比,横笛的吹口边缘角度较大(60度)。此外,在横笛中(演奏者的嘴唇),吹口宽度W与射流厚度h的比值W/h可以变化,而在直笛中该比值固定在约4。对稳态振荡行为进行了系统的实验研究。给出了声压测量结果和流动可视化结果。直笛的尖锐边缘提供了一个谐波丰富的声源,但稳定性较差。横笛吹口较大的角度似乎是为了使厚射流的振荡具有更好的稳定性,但也可能是为了减少宽带湍流噪声。我们提出了两种可用于声音合成的简化声源模型:W/h>2时的射流驱动模型和W/h<2时的离散涡模型。