Brochard Renaud, Abecasis Donna, Potter Doug, Ragot Richard, Drake Carolyn
Laboratoire d'Etude des Apprentissages et du Développement, CNRS UMR 5022, Université de Bourgogne, Dijon, France.
Psychol Sci. 2003 Jul;14(4):362-6. doi: 10.1111/1467-9280.24441.
The phenomenon commonly known as subjective accenting refers to the fact that identical sound events within purely isochronous sequences are perceived as unequal. Although subjective accenting has been extensively explored using behavioral methods, no physiological evidence has ever been provided for it. In the present study, we tested the notion that these perceived irregularities are related to the dynamic deployment of attention. We disrupted listeners' expectancies in different positions of auditory equitone sequences and measured their responses through brain event-related potentials (ERPs). Significant differences in a late parietal (P3-like) ERP component were found between the responses elicited on odd-numbered versus even-numbered positions, suggesting that a default binary metric structure was perceived. Our findings indicate that this phenomenon has a rather cognitive, attention-dependent origin, partly affected by musical expertise.
通常被称为主观重音的现象指的是,在纯等时序列中相同的声音事件被感知为不相等。尽管已经使用行为方法对主观重音进行了广泛研究,但从未有过关于它的生理学证据。在本研究中,我们测试了这样一种观点,即这些感知到的不规则性与注意力的动态分配有关。我们在听觉等音序列的不同位置扰乱听众的预期,并通过脑事件相关电位(ERP)测量他们的反应。在奇数位置与偶数位置引发的反应之间,发现晚期顶叶(类似P3)ERP成分存在显著差异,这表明存在一种默认的二元度量结构被感知到。我们的研究结果表明,这种现象具有相当认知性的、依赖注意力的起源,部分受音乐专业知识的影响。