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作为结构自引导的切分法:不对称性在节奏与语言中的作用

Syncopation as structure bootstrapping: the role of asymmetry in rhythm and language.

作者信息

Fiorin Gaetano, Delfitto Denis

机构信息

Department of Humanities, University of Trieste, Trieste, Italy.

Department of Cultures and Civilizations, University of Verona, Verona, Italy.

出版信息

Front Psychol. 2024 Feb 15;15:1304485. doi: 10.3389/fpsyg.2024.1304485. eCollection 2024.

Abstract

Syncopation - the occurrence of a musical event on a metrically weak position preceding a rest on a metrically strong position - represents an important challenge in the study of the mapping between rhythm and meter. In this contribution, we present the hypothesis that syncopation is an effective strategy to elicit the bootstrapping of a multi-layered, hierarchically organized metric structure from a linear rhythmic surface. The hypothesis is inspired by a parallel with the problem of linearization in natural language syntax, which is the problem of how hierarchically organized phrase-structure markers are mapped onto linear sequences of words. The hypothesis has important consequences for the role of meter in music perception and cognition and, more particularly, for its role in the relationship between rhythm and bodily entrainment.

摘要

切分音——在节拍强拍前的节拍弱拍位置出现的音乐事件——是节奏与节拍映射研究中的一个重要挑战。在本论文中,我们提出一个假设,即切分音是一种有效的策略,可从线性节奏表面引出多层级、层次化组织的节拍结构的自引导。该假设的灵感来自于与自然语言句法中线性化问题的类比,自然语言句法中的线性化问题是指层次化组织的短语结构标记如何映射到单词的线性序列上。该假设对于节拍在音乐感知和认知中的作用具有重要影响,更具体地说,对于其在节奏与身体同步关系中的作用具有重要影响。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/ee1e/10911290/39ec0a5b034c/fpsyg-15-1304485-g001.jpg

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