Suthers Roderick A, Zollinger Sue Anne
Medical Sciences, Program for Neural Science, Department of Biology, Indiana University, Bloomington, Indiana 47405, USA.
Ann N Y Acad Sci. 2004 Jun;1016:109-29. doi: 10.1196/annals.1298.041.
In order to achieve the goal of understanding the neurobiology of birdsong, it is necessary to understand the peripheral mechanisms by which song is produced. This paper reviews recent advances in the understanding of syringeal and respiratory motor control and how birds utilize these systems to create their species-typical sounds. Songbirds have a relatively homogeneous duplex vocal organ in which sound is generated by oscillation of a pair of thickened labia on either side of the syrinx. Multiple pairs of syringeal muscles provide flexible, independent control of sound frequency and amplitude, and each side of the syrinx exhibits a degree of acoustic specialization. This is in contrast to many non-songbirds, including vocal learners such as parrots, which have fewer syringeal muscles and use syringeal membranes to generate sound. In doves, at least, these membranes generate a harmonic signal in which the fundamental frequency is regulated by respiratory pressure in the air sac surrounding the syrinx and the overtones are filtered out by the vocal tract. The songs of adult songbirds are generally accompanied by precisely coordinated respiratory and syringeal motor patterns that, despite their relative stereotypy, are modulated in real time by somatosensory feedback. Comparative studies indicate songbirds have evolved species-specific motor patterns that utilize the two sides of the syrinx in specific ways and enhance the particular acoustic effects characterizing the species song. A vocal mimic tutored with heterospecific song uses the same motor pattern as the tutor species when he accurately copies the song, suggesting that physical or physiological constraints on sound production have had a prominent role in the evolution of species-specific motor patterns. An understanding of the relationship between the central processing and peripheral performance of song motor programs is essential for an understanding of the development, function, and evolution of these complex vocal signals.
为了实现理解鸟鸣神经生物学这一目标,有必要了解鸟鸣产生的外周机制。本文综述了在鸣管和呼吸运动控制理解方面的最新进展,以及鸟类如何利用这些系统来发出其物种特有的声音。鸣禽具有相对同质的双重复合发声器官,声音由鸣管两侧一对增厚的唇缘振动产生。多对鸣管肌肉提供对声音频率和振幅的灵活、独立控制,并且鸣管的每一侧都表现出一定程度的声学特化。这与许多非鸣禽不同,包括鹦鹉等声音学习者,它们的鸣管肌肉较少,利用鸣管膜来发声。至少在鸽子中,这些膜产生一个谐波信号,其中基频由围绕鸣管的气囊中的呼吸压力调节,泛音由声道滤除。成年鸣禽的歌声通常伴随着精确协调的呼吸和鸣管运动模式,尽管它们相对刻板,但会受到体感反馈的实时调制。比较研究表明,鸣禽已经进化出物种特有的运动模式,以特定方式利用鸣管的两侧,并增强了该物种歌声特有的特定声学效果。当一只用异种歌声进行训练的声音模仿者准确模仿歌声时,它使用与被模仿物种相同的运动模式,这表明声音产生的物理或生理限制在物种特有的运动模式进化中发挥了重要作用。理解歌声运动程序的中枢处理与外周表现之间的关系,对于理解这些复杂声音信号的发育、功能和进化至关重要。