Hachmeister Jorge E
Bobby R. Alford Department of Otorhinolaryngology and Communicative Sciences, Cochlear Biophysics Laboratory, Baylor College of Medicine, Houston, Texas 77030, USA.
Yale J Biol Med. 2003;76(2):81-6.
In this article we discuss important discoveries in relation to the anatomy and physiology of the ear from Renaissance to present. Before the Renaissance, there was a paucity of knowledge of the anatomy of the ear, because of the relative inaccessibility of the temporal bone and the general perception that human dissections should not be conducted. It was not until the sixteenth century that the middle ear was described with detail. Further progress would be made between the sixteenth and eighteenth century in describing the inner ear. In the nineteenth century, technological advancement permitted a description of the cells and structures that constitute the cochlea. Von Helmholtz made further progress in hearing physiology when he postulated his resonance theory and later von Békésy when he observed a traveling wave in human cadavers within the cochlea. Brownell later made a major advance when he discovered that the ear has a mechanism for sound amplification, via outer hair cell electromotility.
在本文中,我们将探讨从文艺复兴时期至今与耳朵解剖学和生理学相关的重要发现。在文艺复兴之前,由于颞骨相对难以触及,以及普遍认为不应进行人体解剖,人们对耳朵的解剖学知识匮乏。直到16世纪,中耳才得到详细描述。在16世纪至18世纪期间,内耳的描述取得了进一步进展。19世纪,技术进步使得对构成耳蜗的细胞和结构有了描述。冯·亥姆霍兹在提出他的共振理论时,听力生理学取得了进一步进展,后来冯·贝凯西在人体尸体的耳蜗内观察到行波时也有进展。布朗内尔后来取得了重大进展,他发现耳朵有一种通过外毛细胞电运动进行声音放大的机制。