Wolfson S Sabina, Graham Norma
Columbia University, Department of Psychology, 406 Schermerhorn Hall, New York, NY 10027, USA.
Spat Vis. 2005;18(2):209-26. doi: 10.1163/1568568053320602.
In his long years of studying visual perception, Jacob Beck made many contributions. This article is a short review of one line of his research--that we shared in--and then a presentation of some results from on-going research down the same line. In the 1980s Beck and his colleagues introduced a new kind of visual stimulus: element-arrangement texture patterns. A series of studies with these patterns has shown that a model containing spatial-frequency and orientation-selective channels can explain many aspects of texture perception as long as two kinds of nonlinear processes are also included; the published studies are briefly summarized. The new results come from multiple objective tasks requiring the observer to make simple discriminations between second-order element-arrangement textures. Results with the objective tasks replicate previously published results using subjective ratings, and the use of the objective tasks allows us to explore several more fine-grained questions about complex (second-order) channels and normalization.
在其多年对视觉感知的研究中,雅各布·贝克做出了诸多贡献。本文首先简要回顾他的一项研究(也是我们共同参与的),接着展示沿着同一方向正在进行的研究的一些成果。20世纪80年代,贝克及其同事引入了一种新型视觉刺激:元素排列纹理图案。一系列针对这些图案的研究表明,只要包含两种非线性过程,一个包含空间频率和方向选择性通道的模型就能解释纹理感知的诸多方面;已发表的研究将被简要总结。新成果来自多个客观任务,这些任务要求观察者对二阶元素排列纹理进行简单区分。客观任务的结果重复了先前使用主观评分发表的结果,并且客观任务的使用使我们能够探索更多关于复杂(二阶)通道和归一化的细粒度问题。