Anderson Brian E, Strong William J
Department of Physics and Astronomy, N-283 ESC, Brigham Young University, Provo, Utah 84602, USA.
J Acoust Soc Am. 2005 May;117(5):3268-72. doi: 10.1121/1.1882963.
Piano tones have partials whose frequencies are sharp relative to harmonic values. A listening test was conducted to determine the effect of inharmonicity on pitch for piano tones in the lowest three octaves of a piano. Nine real tones from the lowest three octaves of a piano were analyzed to obtain frequencies, relative amplitudes, and decay rates of their partials. Synthetic inharmonic tones were produced from these results. Synthetic harmonic tones, each with a twelfth of a semitone increase in the fundamental, were also produced. A jury of 21 listeners matched the pitch of each synthetic inharmonic tone to one of the synthetic harmonic tones. The effect of the inharmonicity on pitch was determined from an average of the listeners' results. For the nine synthetic piano tones studied, pitch increase ranged from approximately two and a half semitones at low fundamental frequencies to an eighth of a semitone at higher fundamental frequencies.
钢琴音调的分音,其频率相对于谐波值而言偏高。进行了一项听力测试,以确定非谐波性对钢琴最低三个八度音调音高的影响。分析了钢琴最低三个八度中的九个真实音调,以获取其分音的频率、相对振幅和衰减率。根据这些结果生成了合成非谐波音调。还生成了合成谐波音调,每个合成谐波音调的基频增加十二分之一个半音。由21名听众组成的评审团将每个合成非谐波音调的音高与其中一个合成谐波音调进行匹配。根据听众结果的平均值确定非谐波性对音高的影响。对于所研究的九个合成钢琴音调,音高增加范围从低基频时的约两个半音到高基频时的八分之一个半音。