Pires M A Bettencourt, Pina M Esperança, Pina J A Esperança
Departamentos de Anatomia e de História da Medicina, Faculdade de Ciências Médicas, Universidade Nova de Lisboa, Lisboa.
Acta Med Port. 2005 Sep-Oct;18(5):371-5. Epub 2005 Oct 16.
The authors analyze an interesting sculpture found in the gardens of a 17th Century palace in Lisbon, representing the myth of Apollo and Marsyas, which led them to compare the details of the sculpture of the flayed satyr with the previous anatomic studies by Leonardo da Vinci (cc.1510-1530) or Vesalius (cc.1543). The photographic material obtained from the 17th century Italian sculpture presents amazing similitude with these, earlier, 16th century anatomical studies. As a complement to this study, the authors compare the sculptures with the artistic evidences, found throughout the world, of the 17th century interest for the representation of the myth of Apollo and Marsyas, which could be considered as a meaningful artistic movement of the Renaissance and neo-classic art. Some of the artistic representations of surface anatomy depict other motives, as is the case of the self-portrait of Michelangelo, painted in the Sistine Chapel, in honour of St. Bartholomew.
作者分析了在里斯本一座17世纪宫殿花园中发现的一件有趣雕塑，该雕塑表现的是阿波罗与玛息阿的神话故事，这使得他们将被剥皮的森林之神的雕塑细节与列奥纳多·达·芬奇（约1510 - 1530年）或维萨里（约1543年）之前的解剖学研究进行比较。从这件17世纪意大利雕塑获取的摄影资料与这些更早的16世纪解剖学研究呈现出惊人的相似性。作为这项研究的补充，作者将这些雕塑与在世界各地发现的、体现17世纪对阿波罗与玛息阿神话表现兴趣的艺术证据进行比较，这可被视为文艺复兴和新古典主义艺术中一场有意义的艺术运动。一些表面解剖学的艺术表现描绘了其他主题，比如米开朗基罗在西斯廷教堂所绘的为纪念圣巴塞洛缪的自画像。
