Perels C
Freies deutsches Hochstift, Frankfurter Goethe-Museum.
Schweiz Rundsch Med Prax. 1991 Dec 17;80(51):1430-7.
Starting with standards arising from the relationship between medicine and art in classical antiquity, biblical tradition and teutonic-pagan antiquity, this article roams through german literature from the Middle Ages up to the 20th century, from Hildegard of Bingen to Gottfried Benn and Alfred Döblin, guided by the question, how strongly medical knowledge and medical practise are reflected in the poetry of writing physicians. Individual dispositions and epoque-specific features are discussed. Special attention is given to Paul Fleming and Angelus Silesius, Albrecht von Haller and Friedrich Schiller, romanticism and Georg Büchner.
本文从古典古代、圣经传统以及日耳曼 - 异教古代中医学与艺术关系所产生的标准出发，在从中世纪直至20世纪的德国文学中穿梭，从宾根的希尔德加德到戈特弗里德·贝恩和阿尔弗雷德·德布林，以“医学知识和医学实践在行医作家的诗歌中得到了多强烈的体现”这一问题为导向进行探讨。文中讨论了个人特质和特定时代的特征。特别关注了保罗·弗莱明和安杰勒斯·西里修斯、阿尔布雷希特·冯·哈勒和弗里德里希·席勒、浪漫主义以及格奥尔格·毕希纳。
