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拉曼显微镜在表征使用古代论著中的配方获得的不同铜绿变体方面的应用。

Application of Raman microscopy to the characterization of different verdigris variants obtained using recipes from old treatises.

作者信息

de la Roja J M, Baonza V G, San Andrés M

机构信息

Facultad de Bellas Artes, Departamento de Pintura (Pintura y Restauración), Universidad Complutense de Madrid, 28040 Madrid, Spain.

出版信息

Spectrochim Acta A Mol Biomol Spectrosc. 2007 Dec 15;68(4):1120-5. doi: 10.1016/j.saa.2007.06.053. Epub 2007 Aug 14.

DOI:10.1016/j.saa.2007.06.053
PMID:17869165
Abstract

Verdigris is an historical pigment of synthetic origin widely used in the artistic scope, from the antiquity to beginning of 19th century. It is a greenish or green-bluish colored product resulting from corrosion of pure copper and alloys caused by the action of different chemical reagents. The preparation recipes are numerous and appear in old texts, such as: treatises of art and texts of alchemy, as well as in books of secrets, natural history and those concerning medicines. A comparative study of these recipes shows significant differences depending on the initial components and the methodology applied in the synthesis of the pigment. Consequently, typical verdigris pigments very likely correspond to a variety of chemical compositions and, in addition, it might contain certain amounts of unknown by-products. To confirm such hypothesis, four different preparation recipes of verdigris have been carefully reproduced in our laboratory, and characterized by Raman microscopy. Our experiments allowed us to establish interesting differences among the studied samples. Some differences are mostly related to the ingredients used in the elaboration of the so-called raw verdigris. In other cases, the observed variations are consequence of the recrystallization treatment of the pigment. In general, all spectra reveal the existence of common component, namely, the copper(II) acetate (hydrated or anhydrous). However, other minority components have been detected in our samples, for instance, copper oxides, copper chlorides, and ammonic salts. In some cases, these compounds allow us to deduce the type of recipe used in the elaboration of the pigment.

摘要

铜绿是一种历史悠久的合成颜料,在艺术领域广泛使用,从古至今一直到19世纪初。它是一种绿色或绿蓝色的产物,由纯铜和合金在不同化学试剂作用下腐蚀而成。其制备方法众多,见于古老文献,如艺术论著、炼金术文本,以及秘籍、自然史和医学相关书籍。对这些方法的比较研究表明,根据合成颜料时所用的初始成分和方法不同,会有显著差异。因此,典型的铜绿颜料很可能对应多种化学成分,此外,它可能还含有一定量未知的副产物。为证实这一假设,我们在实验室中仔细重现了四种不同的铜绿制备方法,并用拉曼显微镜进行了表征。我们的实验使我们能够确定所研究样品之间有趣的差异。一些差异主要与制备所谓粗铜绿时所用的成分有关。在其他情况下,观察到的差异是颜料重结晶处理的结果。一般来说,所有光谱都显示存在共同成分,即醋酸铜(水合或无水)。然而,我们的样品中还检测到了其他少量成分,例如氧化铜、氯化铜和铵盐。在某些情况下,这些化合物使我们能够推断出制备该颜料所用的方法类型。

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