Janata Petr, Tomic Stefan T, Rakowski Sonja K
Center for Mind and Brain, University of California, Davis 95618, USA.
Memory. 2007 Nov;15(8):845-60. doi: 10.1080/09658210701734593.
Despite music's prominence in Western society and its importance to individuals in their daily lives, very little is known about the memories and emotions that are often evoked when hearing a piece of music from one's past. We examined the content of music-evoked autobiographical memories (MEAMs) using a novel approach for selecting stimuli from a large corpus of popular music, in both laboratory and online settings. A set of questionnaires probed the cognitive and affective properties of the evoked memories. On average, 30% of the song presentations evoked autobiographical memories, and the majority of songs also evoked various emotions, primarily positive, that were felt strongly. The third most common emotion was nostalgia. Analyses of written memory reports found both general and specific levels of autobiographical knowledge to be represented, and several social and situational contexts for memory formation were common across many memories. The findings indicate that excerpts of popular music serve as potent stimuli for studying the structure of autobiographical memories.
尽管音乐在西方社会中地位显著,且对个人日常生活十分重要,但对于听到过去的一段音乐时常常唤起的记忆和情感,我们却知之甚少。我们在实验室和在线环境中,采用一种从大量流行音乐语料库中选择刺激材料的新颖方法,研究了音乐唤起的自传体记忆(MEAMs)的内容。一组问卷探究了所唤起记忆的认知和情感属性。平均而言,30%的歌曲呈现唤起了自传体记忆,并且大多数歌曲还唤起了各种情感,主要是积极情感,且感受强烈。第三常见的情感是怀旧。对书面记忆报告的分析发现,自传体知识在一般和特定层面均有体现,并且许多记忆中形成记忆的几种社会和情境背景很常见。研究结果表明,流行音乐片段是研究自传体记忆结构的有力刺激材料。