De Marco Rodrigo J, Gurevitz Juan M, Menzel Randolf
Freie Universität Berlin, Fachbereich Biologie/Chemie/Pharmazie, Institut für Biologie-Neurobiologie, Königin-Luise-Strasse 28-30, D-14195 Berlin, Germany.
J Exp Biol. 2008 May;211(Pt 10):1635-44. doi: 10.1242/jeb.013425.
A honeybee's waggle dance is an intriguing example of multisensory convergence, central processing and symbolic information transfer. It conveys to bees and human observers the position of a relatively small area at the endpoint of an average vector in a two-dimensional system of coordinates. This vector is often computed from a collection of waggle phases from the same or different dancers. The question remains, however, of how informative a small sample of waggle phases can be to the bees, and how the spatial information encoded in the dance is actually mapped to the followers' searches in the field. Certainly, it is the variability of a dancer's performance that initially defines the level of uncertainty that followers must cope with if they were to successfully decode information in the dance. Understanding how a dancer's behaviour is mapped to that of its followers initially relies on the analysis of both the accuracy and precision with which the dancer encodes spatial information in the dance. Here we describe within-individual variations in the encoding of the distance to and direction of a goal. We show that variations in the number of a dancer's wagging movements, a measure that correlates well with the distance to the goal, do not depend upon the dancer's travelled distance, meaning that there is a constant variance of wagging movements around the mean. We also show that the duration of the waggle phases and the angular dispersion and divergence of successive waggle phases co-vary with a dancer's orientation in space. Finally, using data from dances recorded through high-speed video techniques, we present the first analysis of the accuracy and precision with which an increasing number of waggle phases conveys spatial information to a human observer.
蜜蜂的摇摆舞是多感官融合、中枢处理和符号信息传递的一个有趣例子。它向蜜蜂和人类观察者传达了二维坐标系中平均向量终点处一个相对较小区域的位置。这个向量通常是根据来自同一或不同舞者的一系列摇摆阶段计算得出的。然而,问题仍然存在:一小部分摇摆阶段对蜜蜂来说能有多丰富的信息,以及舞蹈中编码的空间信息实际上是如何映射到跟随者在野外的搜索行为中的。当然,舞者表现的可变性最初决定了跟随者如果要成功解码舞蹈中的信息就必须应对的不确定性水平。理解舞者的行为如何映射到其跟随者的行为,首先依赖于对舞者在舞蹈中编码空间信息的准确性和精确性的分析。在这里,我们描述了目标距离和方向编码中的个体内部变化。我们表明,舞者摇摆动作的数量变化(这一指标与到目标的距离密切相关)并不取决于舞者的行进距离,这意味着围绕平均值的摇摆动作存在恒定的方差。我们还表明,摇摆阶段的持续时间以及连续摇摆阶段的角分散和发散与舞者在空间中的方向共同变化。最后,利用通过高速视频技术记录的舞蹈数据,我们首次分析了越来越多的摇摆阶段向人类观察者传达空间信息的准确性和精确性。