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圣瓦伦丁——癫痫的守护圣人:六个世纪以来癫痫发作症状学的例证

St. Valentine--patron saint of epilepsy: illustrating the semiology of seizures over the course of six centuries.

作者信息

Kluger Gerhard, Kudernatsch Verena

机构信息

Clinic for Neuropaediatrics and Neurological Rehabilitation, Paediatric and Adolescent Epilepsy Centre, BHZ Vogtareuth, Vogtareuth, Germany.

出版信息

Epilepsy Behav. 2009 Jan;14(1):219-25. doi: 10.1016/j.yebeh.2008.09.032. Epub 2008 Dec 17.

DOI:10.1016/j.yebeh.2008.09.032
PMID:18935981
Abstract

From the 15th century to the present day, Christian art has portrayed people who suffer from epilepsy as attributes in illustrations of Saint Valentine (SV). The objective of our study was to interpret the works of art from a modern epileptological perspective on the basis of a collection of portrayals of SV in Europe that was as comprehensive as possible. The people depicted as attributes were analyzed with respect to their age, gender, social status, and possible seizure semiology. Three hundred forty-one illustrations of SV from Austria, Belgium, Croatia, Czech Republic, France, Germany, Hungary, Ireland, Italy, Luxembourg, Poland, Scotland, Slovakia, and Switzerland were systematically analyzed. Irrespective of the age of the work of art, among the 143 pictures of people with possible epilepsy characteristics, there were more males than females from various levels of society. As far as could be interpreted, there were 17 infants, 35 children, 7 adolescents, and 84 adults. With respect to possible seizure semiology, infantile spasms (n=10), atonic seizures (n=13), tonic seizures (n=53), absences (n=2), psychogenic seizures (n=4), and postictal or undefinable states (n=61) were differentiated in a subjective assessment. Despite the fact that from a modern perspective, the 15th to 20th centuries in Europe seemed to be dominated by a rather superstitious attitude toward epilepsy, there is striking accuracy in the detail of the semiology in many of the historic portrayals, and a well-founded knowledge of epilepsy is apparent.

摘要

从15世纪至今,基督教艺术在描绘圣瓦伦丁(SV)的插图中,将患有癫痫的人刻画为其特征。我们研究的目的是基于欧洲尽可能全面的圣瓦伦丁描绘作品集,从现代癫痫学角度解读这些艺术作品。对被描绘为特征的人物,从年龄、性别、社会地位以及可能的发作症状学方面进行了分析。系统分析了来自奥地利、比利时、克罗地亚、捷克共和国、法国、德国、匈牙利、爱尔兰、意大利、卢森堡、波兰、苏格兰、斯洛伐克和瑞士的341幅圣瓦伦丁插图。不论艺术作品的创作年代,在143幅可能具有癫痫特征的人物图片中,来自社会各阶层的男性多于女性。据解读,其中有17名婴儿、35名儿童、7名青少年和84名成年人。关于可能的发作症状学,在主观评估中区分出婴儿痉挛(n = 10)、失张力发作(n = 13)、强直发作(n = 53)、失神发作(n = 2)、精神性发作(n = 4)以及发作后或无法明确的状态(n = 61)。尽管从现代角度看,欧洲15至20世纪似乎对癫痫持有相当迷信的态度,但许多历史描绘中发作症状学的细节却惊人地准确,这表明当时对癫痫已有充分的认识。

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