Kohler Klaus J
Institute of Phonetics and Digital Speech Processing, University of Kiel, Kiel, Germany.
Phonetica. 2009;66(1-2):29-45. doi: 10.1159/000208929. Epub 2009 Apr 8.
Like any other aspect of spoken language, rhythm needs to be, and has been, studied from four different perspectives for a comprehensive and insightful account of its nature and functioning in speech communication: symbolic representation, production, perception, communicative function. The paper first gives an overview of the milestones in the analysis of rhythm under the headings of these four approaches over the past 70 years. This survey of the development of scientific ideas in rhythm research prepares the ground for the integration of the four strands in an interrelated framework of linguistic and speech signal analysis. On the basis of a definition of rhythm derived from the theoretical and methodological discussion, a new paradigm is outlined for future research, centred on the listener and on communicative function.
与口语的其他方面一样,节奏需要并且已经从四个不同的角度进行研究,以便全面、深入地了解其在言语交际中的本质和功能:符号表征、产生、感知、交际功能。本文首先概述了过去70年在这四种方法的标题下节奏分析的里程碑。对节奏研究中科学思想发展的这项调查为将这四个方面整合到一个语言和语音信号分析的相互关联框架中奠定了基础。在从理论和方法讨论中得出的节奏定义的基础上,勾勒出了一个以听众和交际功能为中心的未来研究新范式。